No, indeed! M. Bergeret had no need of anything of the sort. A small
pair of folding steps would have served his purpose excellently well,
and he had once seen some in the shop of Clérambaut, the cabinet-maker,
in the Rue de Josde. They folded up, and looked just the thing with
their bevelled uprights each pierced with a trefoil as a grip for the
hand. M. Bergeret would have given anything to possess them, but the
state of his finances, which were somewhat involved, forced him to
abandon the idea. No one knew better than he did that financial ills
are not mortal, but, for all that, he had no steps in his study.
In place of such a pair of steps he used an old cane-bottomed chair,
the back of which had been broken, leaving only two horns or antennæ,
which had shewn themselves to be more dangerous than useful. So they
had been cut to the level of the seat, and the chair had become a
stool. There were two reasons why this stool was ill-fitted to the
use to which M. Bergeret was wont to put it. In the first place the
woven-cane seat had grown slack with long use, and now contained a
large hollow, making one’s foothold precarious. In the second place
the stool was too low, and it was hardly possible when standing upon
it to reach the books on the highest shelf, even with the finger-tips.
What generally happened was that in the endeavour to grasp one book
several others fell out, and it depended upon their being bound or
paper-covered whether they lay with broken corners or sprawled with
leaves spread like a fan or a concertina.
Now with the intention of getting down the _Manual_ of Ottfried Müller,
M. Bergeret quitted the chair he was sharing with Riquet, who, rolled
into a ball with his head tight pressed to his body, lay in warm
comfort, opening one voluptuous eye, which he reclosed as quickly. Then
M. Bergeret drew the stool from the dark corner where it was hidden and
placed it where it was required, hoisted himself upon it, and managed
by making his arm as long as possible, and straining upon tiptoe to
touch, first with one then with two fingers, the back of a book which
he judged to be the one he was needing. As for the thumb it remained
below the shelf and rendered no assistance whatever. M. Bergeret, who
found it therefore exceedingly difficult to draw out the book, made the
reflection that the reason why the hand is a precious implement is on
account of the position of the thumb, and that no being could rise to
be an artist who had four feet and no hands.
“It is to the hand,” he reflected, “that men owe their power of
becoming engineers, painters, writers, and manipulators of all kinds of
things. If they had not a thumb as well as their other fingers, they
would be as incapable as I am at this moment, and they could never have
changed the face of the earth as they have done. Beyond a doubt it
is the shape of the hand that has assured to man the conquest of the
world.”
Public-domain text, read in full here on John Shaqi.
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