The Amores; or, Amours: Literally Translated into English Prose, with Copious NotesOvid
General
The Amores; or, Amours: Literally Translated into English Prose, with Copious Notes
Ovid
Latin poetry -- Adaptations; Latin poetry -- Translations into English
[Footnote 001: Were five books.--Ver. 1. From this it is clear, that
the first edition which Ovid gave to the public of his 'Amores' was
in five Books; but that on revising his work, he preferred (praetulit)
these three books to the former five. It is supposed that he rejected
many of those Elegies which were of too free a nature and were likely to
embroil him with the authorities, by reason of their licentiousness.]
[Footnote 002: Though it should.--Ver. 3. Burmann has rightly observed,
that 'ut jam,' in this line, has exactly the force of 'quamvis,'
'although.']
[Footnote 003: In serious numbers.--Ver. 1. By the 'graves numeri,' he
means Heroic or Hexameter verses. It is supposed that he alludes to the
battle of the Giants or the Titans, on which subject he had begun to
write an heroic poem. In these lines Ovid seems to have had in view the
commencement of the first Ode of Anacreon.]
[Footnote 004: Suited to the measure.--Ver. 2. The subject being of a
grave character, and, as such, suited to Heroic measure.]
[Footnote 005: Abstracted one foot.--Ver. 4. He says that every second
line (as is the case in Heroic verse) had as many feet as the first,
namely, six : but that Cupid stole a foot from the Hexameter, and
reduced it to a Pentameter, whereby the Poet was forced to recur to the
Elegiac measure.]
[Footnote 008: Diminish my energies.--Ver. 18. See the Note to the
fourth line.]
[Footnote 009: His quiver loosened.--Ver. 21. The 'pharetra,' or
quiver, filled with arrows, was used by most of the nations that
excelled in archery, among whom were the Scythians, Persians, Lycians,
Thracians, and Cretans. It was made of leather, and was sometimes
adorned with gold or painting. It had a lid, and was suspended by a belt
from the right shoulder. Its usual position was on the left hip, and it
was thus worn by the Scythians and Egyptians. The Cretans, however,
wore it behind the back, and Diana, in her statues, is represented as so
doing. This must have been the method in which Cupid is intended in the
present instance to wear it, as he has to unloose the quiver before he
takes out the arrow. Some Commentators, however, would have 'solutâ' to
refer simply to the act of opening the quiver.]
[Footnote 010: In six feet.--Ver. 27. He says that he must henceforth
write in Hexameters and Pentameters, or, in other words, in the Elegiac
measure.]
[Footnote 011: My Muse.--Ver. 30. The Muse addressed by him would be
Erato, under whose protection were those Poets whose theme was Love. He
bids her wreathe her hair with myrtle, because it was sacred to Venus;
while, on the other hand, laurels would be better adapted to the Heroic
Muse. The myrtle is said to love the moisture and coolness of the
sea-shore.]
[Footnote 014: Thy step-father.--Ver. 24. He calls Mars the step-father
of Cupid, in consequence of his intrigue with Venus.]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account