The Amores; or, Amours: Literally Translated into English Prose, with Copious NotesOvid
General
The Amores; or, Amours: Literally Translated into English Prose, with Copious Notes
Ovid
Latin poetry -- Adaptations; Latin poetry -- Translations into English
[Footnote 028: Warm the bosom of another.--Ver. 5. As each guest while
reclining on the couch at the entertainment, mostly leaned on his left
elbow during the meal, and as two or more persons lay on the same couch,
the head of one person reached to the breast of him who lay above him,
and the lower person was said to lie on the bosom of the other. Among
the Romans, the usual number of persons occupying each couch was three.
Sometimes, however, four occupied one couch; while, among the Greeks,
only two reclined upon it. In this instance, he describes the lady as
occupying the place below her husband, and consequently warming his
breast with her head. For a considerable time after the fashion of
reclining at meals had been introduced into Rome, the Roman ladies sat
at meals while the other sex was recumbent. Indeed, it was generally
considered more becoming for females to be seated, especially if it was
a party where many persons were present. Juvenal, however, represents a
bride as reclining at the marriage supper on the bosom of her husband.
On the present occasion, it is not very likely that the ladies
were particular about the more rigid rules of etiquette. It must be
remembered that before lying down, the shoes or sandals were taken off.]
[Footnote 029: Damsel of Atrax.--Ver. 8. He alludes to the marriage
of Hippodamia to Pirithous, and the battle between the Centaurs and the
Lapithæ, described in the Twelfth-. Book of the Metamorphoses.]
[Footnote 031: Do come first.--Ver. 14. He hardly knows why he asks her
to do so, but still she must come before her husband; perhaps, that
he may have the pleasure of gazing upon her without the chance of
detection; the more especially as she would not recline till her husband
had arrived, and would, till then, probably be seated.]
[Footnote 032: Touch my foot.--Ver. 16. This would show that she had
safely received his letter.]
[Footnote 033: My secret signs.--Ver. 18. See the Note in this Volume,
to the 90th line of the 17th Epistle.]
[Footnote 034: By my eye-brows.--Ver. 19. See the 82nd line of the 17th
Epistle.]
[Footnote 035: Traced in the wine.--Ver. 20. See the 88th line of the
17th Epistle.]
[Footnote 036: Your blooming cheeks.--Ver. 22. Probably by way of check
to his want of caution.]
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