The Amouretta landscape, and other storiesAdams, Adeline
General
The Amouretta landscape, and other stories
Adams, Adeline
American fiction -- 20th century; Short stories, American
Swiftly the words of the young scholar penetrated all the little groups
of Parisians. _Une taupe!_ Lady and gentleman, girl and boy, mason and
grocer, one after the other took up that goodly revelation. “_C’est une
taupe!_” Some repeated it a little sadly, as if it were a mistake, or
at least an indelicacy, on the part of the _taupe_ not to have been
something else. Others repeated it with exquisite gayety, as if a _taupe_
were the one object of joy the world had waited for, until then. Still
others repeated it without passion and without surprise, as if a _taupe_
were no more than should have been expected at such a time. But in one
way or another, they all repeated it. _C’est une taupe._ Even those
who had never had so much as a cornerwise glance at the _limace_ went
their ways, saying, with a fine discriminating wave of the hand, “_une
taupe_.” Indeed, not having seen the _limace_, they were naturally far
more confident than those who had really gone quite near to that brown
half-moon on the green leaf, and touched it with twigs. The distribution
of knowledge is a moving spectacle, is it not?
My friend who was beside me in that lovely wood, with the blue sky above
the waving branches, and with the flower-like children springing up from
the grass, and the autumn-leaf grandmothers walking abroad with baskets
for the _déjeuner_, suddenly asked me why I was laughing like that, and
the tears running down my cheeks.
“You do not know why!” I answered. “Oh, surely if you know anything
at all, you must know! It is because I can see, at this moment, this
same spectacle shaping itself everywhere on our planet; yes, from the
Arctic to the Antarctic, on Capricornus and on Cancer, and even in the
Equatorial belt where the lazy peoples live. Everywhere, everywhere
on this round globe of ours, there is a poor _limace_ among the green
leaves, and no one knows what she is; but everywhere there is a good
old grandmother, pushing forward a pale little Pierre with a bay-window
brow, to tell the world, ‘_C’est une taupe._’ And the world listens, and
repeats, and so becomes wise.”
Public-domain text, read in full here on John Shaqi.
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