To take up the story from the point where we left it: by the aid of the American's revelations, some light is thrown upon points of family history, which induce the English possessor of the estate to suppose that the time has come for asserting his claim to a title which has long been in abeyance. He therefore sets about it, and engages in great expenses, besides contracting the enmity of many persons, with whose interests he interferes. A further complication is brought about by the secret interference of the old Hospitaller, and Alice goes singing and dancing through the whole, in a way that makes her seem like a beautiful devil, though finally it will be recognized that she is an angel of light. Middleton, half bewildered, can scarcely tell how much of this is due to his own agency; how much is independent of him and would have happened had he stayed on his own side of the water. By and by a further and unexpected development presents the singular fact that he himself is the heir to whatever claims there are, whether of property or rank,--all centring in him as the representative of the eldest brother. On this discovery there ensues a tragedy in the death of the present possessor of the estate, who has staked everything upon the issue; and Middleton, standing amid the ruin and desolation of which he has been the innocent cause, resigns all the claims which he might now assert, and retires, arm in arm with Alice, who has encouraged him to take this course, and to act up to his character. The estate takes a passage into the female line, and the old name becomes extinct, nor does Middleton seek to continue it by resuming it in place of the one long ago assumed by his ancestor. Thus he and his wife become the Adam and Eve of a new epoch, and the fitting missionaries of a new social faith, of which there must be continual hints through the book.