The Ancient Bronze Implements, Weapons, and Ornaments, of Great Britain and Ireland.Evans, John
History
The Ancient Bronze Implements, Weapons, and Ornaments, of Great Britain and Ireland.
Evans, John
Bronze age -- Great Britain; Bronze age -- Ireland; Great Britain -- Antiquities
The imaginative Dr. Stukeley, in the year 1724, communicated to the
Society of Antiquaries a discourse on the use of celts, which is to be
found in the Minute Book of the Society. An abstract of it is given
by Mr. Lort[120] in his paper subsequently mentioned. Dr. Stukeley
undertook to show that celts were British and appertaining to the
Druids, who, when not using them to cut off the boughs of oak and
mistletoe, put them in their pouches, or hung them to their girdles
by the little ring or loop at the side. In a more sensible manner he
divided them into two classes, the recipient and the received; that is
to say, the socketed, in which the handle was received, and the flat
and palstave forms, which entered into a notch in the handle.
Borlase,[121] notwithstanding that he was under the impression that a
number of socketed celts found at Karnbrê in 1744 were accompanied by
Roman coins, one of them at least as late as the time of Constantius
I., did “not take them to be purely Roman, foreign, or of Italian
invention and workmanship.”
He argues that the Romans of Italy would not have made such instruments
of brass after Julius Cæsar’s time, when the superior hardness of iron
was so well understood, and that metal was so easily to be procured.
Farther, that no representations of such weapons occur on the Trajan
or Antonine Columns, that few specimens exist in the cabinets of the
curious in Italy, where they are regarded as Transalpine antiquities,
and that none have been found among the ruins of Herculaneum;[122] nor
are any published in the Museum Romanum or the Museum Kircherianum. He
concludes that they were made and used in Britain, but that though they
were originally of British invention and fabric, they were for the most
part made when the Britons had improved their arts under their Roman
masters, as most of them seem too correct and shapely for the Britons
before the Julian conquest.
Public-domain text, read in full here on John Shaqi.
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