The archæology of Rome, Part 7 : $b The Flavian amphitheatre, commonly called the ColosseumParker, John Henry
History
The archæology of Rome, Part 7 : $b The Flavian amphitheatre, commonly called the Colosseum
Parker, John Henry
Rome -- Antiquities
Under the long passage which comes in at the south end is a large drain
at a considerably lower depth; there are gratings in the paved floor of
the passage above opening into it, which had unfortunately been stopped
up in some of the great floods, but was partially cleared out as far as
the Meta Sudans in 1875. The paved floor of the passage over the drain
under the arena is three feet above the level of the pavement, which
is of herring-bone brickwork (_opus spicatum_), and the passage before
mentioned goes all round the building nearly under the edge of the
_podium_. Modern iron steps have been placed for people to descend to the
bottom of the building, and under these is seen the ancient iron grating
to prevent anything being carried off by the rush of water[165]. From
this it is evident that the great drain was to carry off the water used
in the canals for the _naumachia_, when the Emperor “ordered the water
to be let off and the boards to be replaced.” There are evident marks of
a great flood-gate or sluice drawn up, as a portcullis, at the entrance
to this drain. It also appears that the vessels were floated down on the
wooden framework on which they were dragged along, now made visible, but
it does not appear that they could have been floated up also to the level
of the canals. The space between the wooden floor of the _stage_, called
the arena, and the original pavement being twenty-one feet, the canals
were ten feet deep, and yet room is left for the passages and machinery
under them. Possibly, but not probably, the whole central space could be
floated, excepting just at the south end, where room was left for the
machinery. The vessels were probably never removed from the building, but
left under the vaults, and dragged out when required.
The tufa walls with the grooves for lifts belong to the earliest part of
the building, and must be earlier than the time of Nero[166], as has been
shewn; and his _stagnum navale_, or _naumachia_, his _venationes_, or
wild-beast hunts, and gymnasium, which are recorded as belonging to his
great palace, could have been nowhere else but on this spot.
Public-domain text, read in full here on John Shaqi.
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