Of what the Shelter Tent had and had not, commended curiosity makes now minute interrogation. It had neither veranda nor portico; if offenses must come, woe to them whereby. No latticed porchway tempted humming birds to linger in its honeysuckle haunts. The bay-window that biteth like a serpent and stingeth like a cactus when the bill comes in, was conspicuously non-existent. Its architectural flippancies were few indeed. No fluted town hall pillars nor St. Gauden's blush-promoting statuary decorated its blameless exterior, either for botch or betterment. No black closets fanged with sharp hooks and breathing pestilent mustiness lurked in its dreadful depths, threatening to precipitate a ministerial crisis around the conjugal hearth. The man of far western enterprise, who goes forth with nothing but a few ounces of salt in one hand and a halter in the other to a career of sudden and certain prosperity, would sneer at a plan for his rustic villa of content so void of all embellishment. The rampant eastern egotist, saturated with profound, uncanny mysticism, would echo the supercilious sentiment. Guiltless of tapestry, even of paper tattooed into isosceles triangles or fretted with peafowl tintages, were its walls. Nay, vetoed were walls indeed, save when some mad riot of sumptuousness inspired an imitation of "society"--that medley of metaphysics and flirtations, of fashion, vanity, jealousy, altruism, rheumatism and gastronomy which is principally intent on beating tom-toms and dodging jim-jams. Then, hoisted above its normal altitude, like sliding roof of clover rick, a rough joinery of boards or logs or turf, breasted it up four-square to all the gusts of Boreas and the moral agencies of southern Arkansaw. No door-plate shimmered, purporting, in gothic undecipherables gnarly as Pharaoh's lean kine, to name the occupant. Good cause, forsooth; none better! No door, on which a faintest shimmer could be hung, graced the wide frontal vacancy. Who entered here, though his brow were tall and his spirit strong, left his _bon-ton_ behind. Style, root of much heart-break and hen-peck, was smitten as by the stony paw of a sphinx. Fit symbols of existence in this pretenseless home were the broken column and the gates ajar.