The Art and Practice of HawkingMichell, E. B. (Edward Blair)
History
The Art and Practice of Hawking
Michell, E. B. (Edward Blair)
Falconry
Females and young males have the whole upper plumage a rich chocolate
brown, with reflections of purplish grey, each feather on the back and
upper wing coverts tipped with a somewhat lighter brown, and crossed
by a buff bar, which is usually not to be seen except when the plumage
is disarranged or ruffled. Each feather also has a black shaft, which
is conspicuous in strong lights on a close view. The primaries and all
the principal feathers of the wing are very dark brown on the upper
surface, barred with several patches of light brown or buff. The under
surface of the wing is very light silvery grey, with numerous bars and
spots of brownish grey, each feather having a dark grey shaft, which
is white underneath. The tail feathers on the upper surface are of a
slightly lighter brown than the back, and light grey underneath, barred
with more or less oblique bands, which are buff-coloured above, and
light grey-brown underneath, and are all tipped with white. The under
plumage of the body is creamy white, more or less tinged with light
buff, especially on the sides of the head and throat. It is liberally
streaked with longitudinal splashes of dark brown, which on the upper
throat are very small, but on the lower flanks are broad and large.
There is a facial patch and a moustache of dark brown, but these are
not so strongly marked as in the peregrine and hobby. The beak is
light blue, darkening to indigo, and at the tip to black. The cere and
eyelids, light bluish grey. The legs and feet vary from light greenish
or blueish grey to light yellow. The toes are long, thin, and flexible.
Adult females do not change, except that they lose much or all of the
purplish sheen of nestlings, and that the edging of the feathers is
less marked. Adult males undergo a very striking transformation. The
whole upper plumage changes from brown to a rich bluish slate colour,
deepening in the long wing feathers to greyish black. Instead of the
light bars on the tail, there is a single broad grey-black band nearly
at the extreme end. The breast at the same time assumes a warmer tint,
deepening from cream colour at the chin to a rich buff lower down, and
deep russet at the flanks. The cere, eyelids, legs, and feet assume a
deep golden or light orange colour. The wing and tail feathers have
a stronger and stiffer appearance than before the moult, and those
of the tail are generally somewhat shorter as well as stouter than
they were. Very old females occasionally, but not often, put on the
livery of the adult male; and this is the case sometimes also with old
female kestrels. In merlins of both sexes the third feather of the
wing is usually exactly equal in length to the second, and it is only
exceptionally that it is even fractionally shorter.
Public-domain text, read in full here on John Shaqi.
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