The Art of IllustrationSpurgeon, C. H. (Charles Haddon)
Religion
The Art of Illustration
Spurgeon, C. H. (Charles Haddon)
Homiletical illustrations; Preaching
God was my good Lord, and gave me answer,
else I could never have escaped." Preaching, some years afterward,
Latimer himself told the story, and applied the illustration. "My
hearer," said he, "there is a recording pen always at work behind the
arras, taking down all thou sayest, and noting all thou doest: therefore
be thou careful that thy words and acts are worthy of record in God's
Book of Remembrance."
You might aptly illustrate the doctrine of God's special providential
care of his servants by relating the story of John Knox, who, one
evening, refused to sit in his usual seat, though he did not know any
particular reason for so acting. No one was allowed to occupy that
chair, and during the evening a shot came in through the window, and
struck a candlestick that stood immediately opposite where John Knox
would have been sitting if he had taken his accustomed place. There is
also the case of the godly minister, who, in escaping from his
persecutors, went into a hay-loft, and hid himself in the hay. The
soldiers went into the place, pricking and thrusting with their swords
and bayonets, and the good man even felt the cold steel touch the sole
of his foot, and the scratch which was made remained for years: yet his
enemies did not discover him. Afterward a hen came and laid an egg every
day hard by the place where he was hidden, and so he was sustained as
well as preserved until it was safe for him to leave his hiding-place.
It was either the same minister, or one of his persecuted brethren, who
was providentially protected by such a humble agent as a spider. This is
the story as I have read it: "Receiving friendly warning of an intended
attempt to apprehend him, and finding men were on his track, he took
refuge in a malt-house, and crept into the empty kiln, where he lay
down. Immediately after, he saw a spider lower itself across the narrow
entrance by which he had got in, thus fixing the first line of what was
soon wrought into a large and beautiful web. The weaver and the web,
placed directly between him and the light, were very conspicuous. He was
so much struck with the skill and diligence of the spider, and so much
absorbed in watching her work, that he forgot his own danger. By the
time the network was completed, crossing and re-crossing the mouth of
the kiln in every direction, his pursuers came into the malt-house to
search for him. He noted their steps, and listened to their cruel words
while they looked about. Then they came close to the kiln, and he
overheard one say to another, 'It's no use to look in _there_; the old
villain can never be there: _look at that spider's web; he could never
have got in there without breaking it_.' Without further search they
went to seek elsewhere, and he escaped safely out of their hands."
Public-domain text, read in full here on John Shaqi.
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