Criticism -- Great Britain; English literature -- History and criticism
Voltaire's criticism of Shakespeare as rude and barbarous has only one
fault. It does not fit Shakespeare. Shakespeare, however, is the single
dramatist of his age to whom it is not in a measure applicable. "He was a
savage," said Voltaire, "who had imagination. He has written many happy
lines; but his pieces can please only in London and in Canada." Had this
been said of Marlowe, or Chapman, or Jonson (despite his learning), or
Cyril Tourneur, one might differ, but one would admit that perhaps there
was something in it. Again, Voltaire's boast that he had been the first to
show the French "some pearls which I had found" in the "enormous dunghill"
of Shakespeare's plays was the sort of thing that might reasonably have
been said by an anthologist who had made selections from Dekker or
Beaumont and Fletcher or any dramatist writing under Elizabeth and James
except William Shakespeare. One reads the average Elizabethan play in the
certainty that the pearls will be few and the rubbish-heap practically
five acts high. There are, perhaps, a dozen Elizabethan plays apart from
Shakespeare's that are as great as his third-best work. But there are no
_Hamlets_ or _Lears_ among them. There are no _Midsummer Night's Dreams_.
There is not even a _Winter's Tale_.
If Lamb, then, had boasted about what he had done for the Elizabethans in
general in the terms used by Voltaire concerning himself and Shakespeare
his claim would have been just. Lamb, however, was free from Voltaire's
vanity. He did not feel that he was shedding lustre on the Elizabethans as
a patron: he regarded himself as a follower. Voltaire was infuriated by
the suggestion that Shakespeare wrote better than himself; Lamb probably
looked on even Cyril Tourneur as his superior. Lamb was in this as wide of
the mark as Voltaire had been. His reverent praise has made famous among
virgins and boys many an old dramatist who but for him would long ago have
been thrown to the antiquaries, and have deserved it. Everyone goes to the
Elizabethans at some time or another in the hope of coming on a long
succession of sleeping beauties. The average man retires disappointed from
the quest. He would have to be unusually open to suggestion not to be
disappointed at the first reading of most of the plays. Many a man can
read the Elizabethans with Charles Lamb's enthusiasm, however, who never
could have read them with his own.
Public-domain text, read in full here on John Shaqi.
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