In 1767 Messrs. Bohrer, Morgan and Comp started weekly concerts at their Charleston Vauxhall. They did not include tea and coffee in the price of the tickets, but on one extraordinary occasion when 'four or five pieces' were exhibited between the parts of the concert 'by a person who is confident very few in town ever saw, or can equal, his performance,'--on that extraordinary occasion tea and coffee were included in the expense 'till the person above mentioned begins.' Unfortunately we do not know the nature of the person's performance. He was, it seems, a very exclusive person and refused to appear more than once in Charleston, 'unless by the particular desire of a genteel company.' Nevertheless the enterprise of Messrs. Bohrer, Morgan and Comp does not seem to have succeeded. Peter Valton gave a benefit concert in 1768 and a subscription concert in 1769. In the meantime the St. Cæcilia Society, which was founded in 1762, had been giving regular subscription seasons since 1766 or perhaps earlier. That these St. Cæcilia Concerts were important affairs is evident from an advertisement inserted by the society in the New York, Philadelphia, and Boston papers in 1771, calling for a first and second violin, two hautboys, and a bassoon, and offering to such, if 'properly qualified,' a one-, two-, or three-year contract. The society continued to give regular concerts all during the century, but we have no information as to their nature. Outside the St. Cæcilia concerts we find in 1772 only one, 'the vocal part by a gentleman, who does it merely to oblige on this occasion,' and, in 1773, two at which a Mr. Saunders exhibited 'his highest _dexterity_ and _grand deception_.' In 1774 a Mr. Francheschini, who seems to have been a violinist of the St. Cæcilia Society, announced a concert for his benefit by express permission of that organization. Mr. Van Hagen, of Rotterdam, who afterward appeared in New York and Boston, gave a concert in the same year, at which Signora Castella performed on the musical glasses. Then the war intervened, putting practically a complete quietus on music for the time being.