American prose literature; English prose literature; Narration (Rhetoric)
Note how Cabell increases your feeling of disgust toward Queen
Isabel by his suggestions concerning her previous life. In this
case, as will be clearly seen, sympathy is generated for the main
characters, and becomes an added reason for the portrayal of the
past.
But far better than precept will be a careful study of the charming
story that follows.
M. E. C.
THE STORY OF THE FOX-BRUSH
JAMES BRANCH CABELL
In the year of grace 1417, about Martinmas (thus Nicolas begins),
Queen Isabeau fled with her daughter, the Lady Katharine, to
Chartres. There the Queen was met by the Duke of Burgundy, and these
two laid their heads together to such good effect that presently they
got back into Paris, and in its public places massacred some three
thousand Armagnacs. That, however, is a matter which touches history;
the root of our concernment is that, when the Queen and the Duke rode
off to attend to this butcher’s business, the Lady Katharine was left
behind in the Convent of Saint Scholastica, which then stood upon the
outskirts of Chartres, in the bend of the Eure just south of that
city. She dwelt for a year in this well-ordered place.
There one finds her upon the day of the decollation of Saint John
the Baptist, one fine August morning that starts the tale. Katharine
the Fair, men called her, with considerable show of reason. She was
very tall, and slim as a rush. Her eyes were large and black, having
an extreme lustre, like the gleam of undried ink,--a lustre at some
times uncanny. Her abundant hair, too, was black, and to-day seemed
doubly sombre by contrast with the gold netting which confined it.
Her mouth was scarlet, all curves, and her complexion was famous
for its brilliancy; only a precision would have objected that
she possessed the Valois nose, long and thin and somewhat unduly
overhanging the mouth.
To-day as she came through the orchard, crimson-garbed, she paused
with lifted eyebrows. Beyond the orchard wall there was a hodgepodge
of noises, among which a nice ear might distinguish the clatter of
hoofs, a yelping and scurrying, and a contention of soft bodies, and
above all a man’s voice commanding the turmoil. She was seventeen, so
she climbed into the crotch of an apple-tree and peered over the wall.
He was in rusty brown and not unshabby; but her regard swept over
this to his face, and there noted how his eyes shone like blue winter
stars under the tumbled yellow hair, and noted the flash of his big
teeth as he swore between them. He held a dead fox by the brush,
which he was cutting off; two hounds, lank and wolfish, were scaling
his huge body in frantic attempts to get at the carrion. A horse
grazed close at hand.
Public-domain text, read in full here on John Shaqi.
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