The Art of War in the Middle Ages A.D. 378-1515 — John Shaqi
The Art of War in the Middle Ages A.D. 378-1515Oman, Charles
History
The Art of War in the Middle Ages A.D. 378-1515
Oman, Charles
Military art and science -- History -- Medieval, 500-1500; Military history, Medieval
The existence of this curious subdivision of power, to which the
nearest parallel would be found in early Byzantine days, would suffice
by itself to explain the lack of all strategical skill and unity of
purpose which was observable in Swiss warfare. The compromise which
forms the mean between several rival schemes usually combines their
faults, not their merits. But in addition to this, we may suspect that
to find any one Swiss officer capable of working out a coherent plan of
campaign would have been difficult. The ‘Captain’ was an old soldier
who had won distinction on bygone battlefields, but except in his
experience nowise different to the men under his orders. Of elaborating
the more difficult strategical combinations a Swiss ‘Council of
War’ was not much more capable than an average party of veteran
sergeant-majors would be in our own day.
With tactics, however, the case was different. The best means of
adapting the attack in column to the accidents of locality or the
quality and armament of the opposing troops were studied in the school
of experience. A real tactical system was developed, whose efficiency
was proved again and again in the battles of the fifteenth century. For
dealing with the mediæval men-at-arms and infantry against whom it had
been designed, the Swiss method was unrivalled: it was only when a new
age introduced different conditions into war that it gradually became
obsolete.
The normal order of battle employed by the Confederates, however small
or large their army might be, was an advance in an échelon of three
divisions[82]. The first corps (’vorhut’), that which had formed the
van while the force was on the march, made for a given point in the
enemy’s line. The second corps (’gewaltshaufen’), instead of coming
up in line with the first, advanced parallel to it, but at a short
distance to its right or left rear. The third corps (’nachhut’)
advanced still further back, and often halted until the effect of
the first attack was seen, in order that it might be able to act, if
necessary, as a reserve. This disposition left a clear space behind
each column, so that if it was repulsed it could retire without
throwing into disorder the rest of the army. Other nations (e.g. the
French at Agincourt), who were in the habit of placing one corps
directly in front of another, had often to pay the penalty for their
tactical crime, by seeing the defeat of their first line entail the
rout of the whole army, each division being rolled back in confusion
on that immediately in its rear. The Swiss order of attack had another
strong point in rendering it almost impossible for the enemy’s troops
to wheel inwards and attack the most advanced column: if they did so
they at once exposed their own flank to the second column, which was
just coming up and commencing its charge.
Public-domain text, read in full here on John Shaqi.
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