The Art of War in the Middle Ages A.D. 378-1515Oman, Charles
History
The Art of War in the Middle Ages A.D. 378-1515
Oman, Charles
Military art and science -- History -- Medieval, 500-1500; Military history, Medieval
It is at once evident that in the simplicity of its component elements
lay one of the chief sources of the strength of a Confederate army.
Its commanders were not troubled by any of those problems as to the
correlation and subordination of the various arms, which led to so
many unhappy experiments among the generals of other nations. Cavalry
and artillery were practically non-existent; nor were the operations
hampered by the necessity of finding some employment for those masses
of troops of inferior quality who so often increased the numbers, but
not the efficiency, of a mediæval army. A Swiss force--however hastily
gathered--was always homogeneous and coherent; there was no residuum
of untried or disloyal soldiery for whose conduct special precautions
would have to be taken. The larger proportion of the men among a nation
devoted to war had seen a considerable amount of service; while if
local jealousies were ever remembered in the field, they only served to
spur the rival contingents on to a healthy emulation in valour. However
much the cantons might wrangle among themselves, they were always found
united against a foreign attack[80].
(2) _Tactics and Strategy._
The character and organization of the Confederate army were exceedingly
unfavourable to the rise of great generals. The soldier rested his hope
of success rather on an entire confidence in the fighting power of
himself and his comrades, than on the skill of his commander. Troops
who have proved in a hundred fields their ability to bear up against
the most overwhelming odds, are comparatively indifferent as to the
personality of their leader. If he is competent they work out his plan
with success, if not, they cheerfully set themselves to repair his
faults by sheer hard fighting. Another consideration was even more
important among the Swiss; there was a universal prejudice felt against
placing the troops of one canton under the orders of the citizen of
another. So strong was this feeling that an extraordinary result
ensued: the appointment of a commander-in-chief remained, throughout
the brilliant period of Swiss history, an exception rather than a
rule. Neither in the time of Sempach, in the old war of Zurich, in
the great struggle with Burgundy, nor in the Swabian campaign against
Maximilian of Austria, was any single general entrusted with supreme
authority[81]. The conduct of affairs was in the hands of a ‘council
of war;’ but it was a council which, contrary to the old proverb about
such bodies, was always ready and willing to fight. It was composed of
the ‘captains’ of each cantonal contingent, and settled the questions
which came under discussion by a simple majority of voices. Before a
battle it entrusted the command of van, rear, main-body, and light
troops to different officers, but the holders of such posts enjoyed
a mere delegated authority, which expired with the cessation of the
emergency.
Public-domain text, read in full here on John Shaqi.
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