The Art of War in the Middle Ages A.D. 378-1515Oman, Charles
History
The Art of War in the Middle Ages A.D. 378-1515
Oman, Charles
Military art and science -- History -- Medieval, 500-1500; Military history, Medieval
The generalship displayed at Nancy and Morat was, however, exceptional
among the Confederates. After those battles, just as before, we find
that their victories continued to be won by a headlong and desperate
onset, rather than by the display of any great strategical ability.
In the Swabian war of 1499 the credit of their successes falls to the
troops rather than to their leaders. The stormings of the fortified
camps of Hard and Malsheide were wonderful examples of the power of
unshrinking courage; but on each occasion the Swiss officers seem to
have considered that they were discharging their whole duty, when they
led their men straight against the enemy’s entrenchments. At Frastenz
the day was won by a desperate charge up the face of a cliff which the
Tyrolese had left unguarded, as being inaccessible. Even at Dornach--
the last battle fought on Swiss soil against an invader till the
eighteenth century--the fortune of the fight turned on the superiority
of the Confederate to the Swabian pikemen man for man, and on the fact
that the lances of Gueldres could not break the flank column by their
most determined onset. Of manœuvring there appears to have been little,
of strategical planning none at all; it was considered sufficient to
launch the phalanx against the enemy, and trust to its power of bearing
down every obstacle that came in its way.
(4) _Causes of the Decline of Swiss Ascendency._
Their disregard for the higher and more delicate problems of military
science, was destined to enfeeble the power and destroy the reputation
of the Confederates. At a time when the great struggle in Italy was
serving as a school for the soldiery of other European nations, they
alone refused to learn. Broad theories, drawn from the newly-discovered
works of the ancients, were being co-ordinated with the modern
experience of professional officers, and were developing into an art
of war far superior to anything known in mediæval times. Scientific
engineers and artillerists had begun to modify the conditions of
warfare, and feudal tradition was everywhere discarded. New forms of
military efficiency, such as the sword-and-buckler men of Spain, the
Stradiot light cavalry, the German ‘black bands’ of musketeers, were
coming to the front. The improvement of the firearms placed in the
hands of infantry was only less important than the superior mobility
which was given to field artillery.
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