The art of writing & speaking the English language : $b How to read and what to readCody, Sherwin
History
The art of writing & speaking the English language : $b How to read and what to read
Cody, Sherwin
Books and reading; Literature -- History and criticism
When the name of Dickens is mentioned that of Thackeray is also always
on the tongue, yet there are large numbers even of the most refined
people who do not find Thackeray as good reading as Dickens. It takes
a quiet person, with a sense for the intellectual, the sarcastic and
the ironical as opposed to the sentimental and humorous, a person
with gentlemanly or ladylike instincts, to fall quite into sympathy
with Thackeray. But those who love him, love him with an intensity
surpassing their feeling for any other author. Thackeray penetrates
life with his keen shafts. He is strong because of his reserves,
Dickens because of his lack of reserve. Thackeray has polish and
elegance of style, he is a master of the best English, and handles it
with the ease and grace of inborn, hereditary skill. He could not have
made such personal confessions as David Copperfield or Little Dorrit,
he could not have laid the colour on with the indiscriminate profusion
of Pickwick or the scenes describing Little Nell. He was in no sense
a great emotional artist, for only now and then does he lose himself.
Such passages as the death of Colonel Newcome are few in Thackeray.
He is more often ridiculing foibles than gaining our sympathy for
admirable sinners. He bites and stings; and unless we have a fine heart
to perceive it we never become aware that he is winning too, that under
his cynical perception of the truth of things in this world, especially
in the aristocratic society which alone he knew and of which alone he
wrote, he has a great and loving heart, a heart tender and forgiving,
sympathetic even when he ridicules most unmercifully. It is this great
loving heart, so hidden that it can be seen only by those who are truly
his friends, that makes Thackeray, the belated exponent of a class in
itself repulsive to the average democrat of to-day, in some respects
the greatest writer of fiction in the English language. He has grave
faults: he is always preaching; he is seldom very hopeful; he had no
great belief in himself or his mission in the world. But language in
his hands is almost a living and breathing entity, a polished, perfect
instrument. And Thackeray teaches the great lessons of restraint,
of patience and thoughtful study of life, of the little, nameless
compensations which after all to most of us alone make life really
worth living.
Thackeray was born and brought up as an English gentleman. His parents
were married and lived in India, belonging to the great British civil
service there. But his father died when he was young, and his mother
married again and took him to England. He had his small fortune, and
little thought of worrying about money till in middle life he found
his substance gone through injudicious speculation, and his pen the
principal means by which he could earn a living. He married and had
several daughters, but his wife became insane. This was the only cloud
on his domestic life.
Public-domain text, read in full here on John Shaqi.
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