The Arts and Crafts of Ancient EgyptPetrie, W. M. Flinders (William Matthew Flinders)
History
The Arts and Crafts of Ancient Egypt
Petrie, W. M. Flinders (William Matthew Flinders)
Art, Egyptian
The Aah-hotep-Aahmes bracelet (fig. 102) is a broad band of metal, with
the figures in raised gold on a dark blue ground. At first it looks as
if enamelled, as the ground runs in the small intervals between the
gold; but it is really a surface formed of pieces of dark lazuli, cut
approximately to the forms and patched around with a dark blue paste
to match it. Two other bracelets (or perhaps anklets) are formed of
minute beads of stones and gold threaded on parallel wires, forming a
band about 1½ inches wide. The pattern seems an imitation of plaiting,
as each colour forms a half square divided diagonally. The necklace
of large gold flies is heavy, and lacks the grace of earlier times.
The axe of Aahmes (fig. 104) is beautifully inlaid with gold, bearing
the king’s names, the figures of the king smiting an enemy, and the
gryphon-sphinx of the god Mentu. The dagger (fig. 103) has more of
the Mykenaean Greek style in the inlaying of the blade, with figures
of a lion chasing a bull, and four grasshoppers. The four heads which
form the pommel are unlike any other Egyptian design; but the squares
divided diagonally on the handle are like the patterns of the bead
anklets, and are probably of Egyptian source.
[Illustration: JEWELLERY
102. Bracelet
103. Dagger (both parts)
104. Axe
(all of King Aahmes, XVIIIth dynasty)]
Of the XIXth dynasty there is the Serapeum jewellery, found with the
Apis burials. The pectoral of Ramessu II (fig. 105) is of good design;
the wings of the vulture are boldly spread in wide curves, and the
king’s name is simple, without titles, and well placed. The border
band is heavy, and the colouring is rich. It is a creditable work, but
entirely missing the grace and sense of perfection of the best work
from Dahshur.
[Illustration]
[Illustration]
The gold bracelets with name of Ramessu II found at Bubastis, are
of inferior work, probably for one of his fifty-nine daughters. The
name is only impressed on stout foil, which is set in a framework
of the bracelet, but the surfaces are ornamented with gold granular
work, showing that such was commonly used. There is a pair of
collar fasteners, clumsily made by filing the bent gold and working
thread-holes in the cut; there are thirty-six thread-holes, so the
collar must have been a very wide one. The fastening by two halves
sliding together is made by two wires soldered in to form the dovetail.
In this same group are thick wire bracelets of silver, with a coarse
hatched pattern on the ends; also many plain silver earrings, such as
were worn by the common people of this time.
[Illustration]
Public-domain text, read in full here on John Shaqi.
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