The Arts and Crafts of Ancient EgyptPetrie, W. M. Flinders (William Matthew Flinders)
History
The Arts and Crafts of Ancient Egypt
Petrie, W. M. Flinders (William Matthew Flinders)
Art, Egyptian
Here we shall deal with the useful metals, apart from the ornamental
work of jewellery previously described. Copper was worked from the
beginning of the prehistoric civilisation. In one of the earliest
graves a little copper pin was found, used to fasten over the shoulders
the goat-skin, which was worn before the weaving of linen. Not long
after, a small chisel appears, then an adze and harpoon, then needles,
and larger sizes of tools come at the close of the prehistoric age.
All of this copper was shaped by hammering. Polished stone hammers
were used, and the work was so exquisitely regular that a polished
surface still remains on an adze, which shows no trace of the method
of manufacture; certainly it was not ground. The mode of hammering is
shown in some early historical sculptures; a stone hammer was held in
the palm of the right hand, which was swung overhead, and brought down
on the metal. How such work could be done without hurting the hand by
concussion is not clear to us. It is strange that down to Greek times
the Egyptians never used a long handle to a hammer.
[Illustration]
In the beginning of the kingdom, copper ewers and basins were made;
these are known from the sculpture of Narmer, and examples are found
in the royal tombs. They were skilfully hammered out, with cast spouts
inserted. The main example of early copper-work is the life-size statue
of King Pepy, and the smaller figure of his son (fig. 110). The trunk
and limbs are of hammered copper, riveted together; the face, hands,
and feet are cast doubtless by _cire perdue_. The ease and truth of
the whole figure shows that there must have been long practice in the
artistic working of copper; yet no traces of such figures are found
earlier, nor for over a thousand years later, and we may thus realise
how scattered are the points we have, in the view of the art as a whole.
The IXth dynasty has left a coarse example of cast copper tooled with a
graver, the brazier of Khety, now in Paris. Of the XIIth dynasty there
is not much copper work, except for tools. The moulds for casting tools
were found at Kahun. They were open moulds, cut out of a thick piece
of pottery, and lined smooth with fine clay and ash.
Down to this age copper was used with only small amounts of hardening
mixture; after this, bronze of copper and tin came into general use.
The earlier copper of the Ist dynasty usually contains one per cent.
of bismuth, and later than that one or two per cent. of arsenic, and
is “underpoled,” in modern terms, that is, a good deal of unreduced
oxide of copper is left in the metal. Both of these mixtures harden it;
and by strong hammering it is made still harder. Copper so treated at
present can be made as hard as mild steel. Thus the metal was fit for
the wood-cutting tools, and for the chisels used for cutting limestone.
The harder stones were worked with emery.[1]
Public-domain text, read in full here on John Shaqi.
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