The Arts and Crafts of Ancient EgyptPetrie, W. M. Flinders (William Matthew Flinders)
History
The Arts and Crafts of Ancient Egypt
Petrie, W. M. Flinders (William Matthew Flinders)
Art, Egyptian
An astonishing development of glazed ware came at the beginning of the
monarchy. A piece of a vase (fig. 116) with the name of Mena, the first
king of Egypt, is of green glazed pottery, and it is surprising to find
the royal name inlaid in a second coloured glaze, which has probably
been violet, though now decomposed. Thus two-colour glazing in designs
was used as early as 5500 B.C. And at this date glazing was not only a
fine art, it was used on a large scale for the lining of rooms. Tiles
have been found about a foot long, stoutly made, with dovetails on the
back, and holes through them edgeways in order to tie them back to the
wall with copper wire. They are glazed all over with hard blue-green
glaze. The front is ribbed in imitation of reedwork, and they probably
were copied from reed mats used to line the walls. Part of a tile
has large hieroglyphs inlaid in colour, showing that decorative
inscriptions were set up. Rather later, at the beginning of the IIIrd
dynasty, there is the doorway of glazed tiles of King Zeser, with
his name and titles in various colours; this doorway, now in Berlin,
belonged to a room in the Step pyramid entirely lined with glazed tile.
Smaller objects were also made in glaze. A tablet of the first dynasty
bears a relief of the figure and titles of an aboriginal chief,
apparently made to be left as a memorial of his visit to temples--a
sort of visiting card,--as it was found in the temple of Abydos.
Figures of women and animals were found with it, and glazed toggles to
be used in place of buttons on garments. Very little glazing has been
preserved to us from the pyramid age; there are small tablets with the
name of King Pepy (4100 B.C.) in relief, but roughly done.
The general colour of the early glaze is greenish-blue or blue-green,
never distinctly of either colour. Such appears from the prehistoric
age to the pyramid time. The glaze is full, and was not heated long
enough to soak into the body. It often has pit-holes in it, and does
not seem to have been very fluid. In the VIth dynasty a second colour
appears, a dark indigo blue; this is on a scarab of Merenra, and on
small toilet vases of the period. Some earlier scarabs are probably of
the age of the IVth, and even of the IIIrd dynasty; these have a clear
brilliant blue glaze, thin and well fused.
In the XIIth dynasty the glaze is thin and hard. On ring-stands and
vases it is often dry and of a greyish green. A rich clear blue glaze
was also used, and is best seen on scarabs and on the favourite figures
of hippopotami, which were only made in this period. The designs and
inscriptions in the glaze were of a fine black, apparently coloured
with manganese.
Public-domain text, read in full here on John Shaqi.
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