The Arts and Crafts of Older Spain, Volume 2 (of 3)Williams, Leonard
History
The Arts and Crafts of Older Spain, Volume 2 (of 3)
Williams, Leonard
Decorative arts -- Spain -- History
[Illustration: XL
HISPANO-MORESQUE IVORY CASKET
(_13th Century. Royal Academy of History, Madrid_)]
Two of these boxes are in the South Kensington Museum. The one which is
cylindrical in shape and has a domed cover is thus described by Maskell
in his _Ivories, Ancient and Mediæval, in the South Kensington
Museum_:--"This beautiful box is carved throughout, except the bottom of
it, with interlacing narrow bands forming quatrefoils, in which, on the
cover, are four eagles. These have spread wings and stand erect; well
designed and most delicately executed. A small knob serves to lift the
lid.
"Round the side, each quatrefoil is filled with a star having a leaf
ornament. The same decoration is repeated in the spaces between the
larger quatrefoils on the cover."
"The whole is carved in pierced work, except a band which forms the
upper upright portion of the box, round the side of the lid. This band
has an Arabic inscription: 'A favour of God to the servant of God, Al
Hakem al Mostanser Billah, commander of the faithful.' He was a Caliph
who reigned at Cordova, A.D. 961-976."
The other box is oblong and rectangular. "The cover and sides are carved
with scroll foliated ornament; the hinges and clasp are of chased silver
inlaid with niello. Round the sides, immediately below the lid, is the
following Arabic inscription in Cufic characters:--'In the name of God.
This (box) was ordered to be made by Seidat Allah, the wife of
Abd-er-Rahman, prince of the believers. God be merciful and satisfied
with him.'" This inscription, adds Riaño, "must allude to Abd-er-Rahman
the Third, the first Caliph of Cordova who bore the title of Emir, el
Mumenin. The formula 'God be merciful,' etc., denotes that he was dead
when it was written. He died A.D. 961."
[Illustration: XLI
IVORY CRUCIFIX
(_11th Century. Madrid Museum_)]
Public-domain text, read in full here on John Shaqi.
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