One hundred years later we find a regular manufactory established at the monastery of St. Florent, at Saumur. “In the time of the abbot Robert III.,” says the historian of this monastery, “the vestry (_fabrique_) of the cloister was further enriched by magnificent paintings and pieces of sculpture, accompanied by legends in verse. The above-mentioned abbot, who was passionately devoted to similar works, sought for and purchased a considerable quantity of magnificent ornaments, such as large _dorserets_[1] in wool, curtains, canopies, hangings, bench-covers, and other ornaments, embroidered with various devices. Among other objects, he caused to be made two pieces of tapestry of large size and of admirable quality, representing elephants; and these two pieces were joined together with a rare kind of silk, by hired workers in tapestry. He also ordered two _dorserets_ in wool to be manufactured. It happened that, during the time one of these was being completed, the above-mentioned abbot went to France. The ecclesiastic left in charge took advantage of his absence to forbid the artisans to work the woof according to the customary method. ‘Well,’ said they, ‘in the absence of our good abbot we will not discontinue our employment; but as you thwart us we shall make quite a different kind of fabric.’ And this now admits of proof. They made several square carpets, representing silver lions upon a field of _gules_ (red), with a white border covered with scarlet animals and birds. This unique piece of workmanship was looked upon as a perfect specimen of this kind of fabric, until the time of the abbot William, when it was considered the most remarkable piece of tapestry belonging to the monastery. In fact, on the occasions of great solemnities the abbot had the elephant tapestry displayed, and one of the priors showed that on which were the lions.”