The Atlantic Monthly, Volume 01, No. 05, March, 1858: A Magazine of Literature, Art, and PoliticsVarious
History
The Atlantic Monthly, Volume 01, No. 05, March, 1858: A Magazine of Literature, Art, and Politics
Various
American periodicals
The first of the glorious three days was duly ushered in with the firing
of cannon, ringing of bells, and all kinds of extravagant jubilation.
It wasn't quite as noisy as a Fourth of July, but much more discordant.
Strings of flags were suspended across the streets,--flags with harps
of all sorts and sizes displayed thereon,--flags with Welsh mottoes,
English mottoes, Scotch mottoes, and no mottoes at all. In front of the
Town Hall was almost an acre of transparent painting,--meant, that is,
to be so after dark, but mournfully opaque and pictorially mysterious in
the full glare of sunshine. As far as I could make it out, it was the
full-length portrait--taken from life, no doubt--of an Ancient Welsh
Bard. He was depicted as a baldheaded, elderly gentleman, with upturned
eyes, apparently regarding with reverence a hole in an Indian-ink cloud
through which slanted a gamboge sunbeam, and having a white beard,
which streamed like a (horse-hair) "meteor on the troubled air." This
venerable minstrel was seated on a cairn of rude stones, his white robe
clasped at his throat and round his waist by golden brooches, and with a
harp, shaped like that of David in old Bible illustrations, resting on
the sward before him. In the background were some Druidical remains, by
way of audience; and the whole was surrounded by a botanical border,
consisting of leeks, oak-leaves, laurel, and mistletoe, which had a very
rare and agreeable effect. Nor were these hieroglyphical decorations
without a deep meaning to a Cambrian; for while the oak-leaf typified
the durability of Welsh minstrelsy, the mistletoe its mysterious origin,
and the laurel its reward, the national leek was pleasantly suggestive
of its usual culinary companions, Welsh mutton and toasted cheese.
As in America, so in Wales, almost every public matter is provocative of
a procession, and the proceedings of the Festival commenced with one. No
doubt, it was to the eyes of the many, who from scores of miles round
had travelled to witness it, a very imposing and serious demonstration;
but anything more ridiculously amusing it was never my good fortune to
see. I had, however, to keep all my fun to myself, for Welshmen are not
to be trifled with. Any one who wishes to be convinced of this need only
walk into a Welsh village, singing the old child-doggerel of
"Taffy was a Welshman, Taffy was a thief,
Taffy came to my house and stole a piece
of beef," etc.,
and, my life on it, he will not leave it without striking proofs of
Welsh sensitiveness, and voluble illustrations of some Jenny Jones's
displeasure. By no means inclined to subject myself to such inconvenient
experiences, I prudently kept my eyes wide open and my mouth shut,--or
if I spoke, I merely asked questions, by which means I acquired
necessary information and passed off for a gratified stranger and an
admiring spectator.
Public-domain text, read in full here on John Shaqi.
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