The Atlantic Monthly, Volume 02, No. 12, October, 1858: A Magazine of Literature, Art, and PoliticsVarious
General
The Atlantic Monthly, Volume 02, No. 12, October, 1858: A Magazine of Literature, Art, and Politics
Various
American periodicals
"For I tell _you_, of all the places I ever see, that prison makes me
feel the queerest. I believe it's one reason I let the flower-garden go
so long," owned Sandy. He did not speak these words without an effort;
and never had Elizabeth seen him so solemn. She also was grave,--but
not after his manner of gravity.
"You see what I did with the poor flower-beds, Sandy," said she. "Wait
now till you see what happens to the prison."
But it is one thing to purpose, and another to execute. Far easier for
Elizabeth to declare than to conduct an heroic design. One thing
prevented rest day and night,--the knowledge that Laval's intended
resignation must be followed by a new application and appointment. With
such a degree of sympathy had the condition of the captive inspired
her, that the idea of the bare possibility of cruelty or neglect or
brutality assuming the jailer's authority seemed to lay upon her all
the responsibility of his future. She must act, for she dared not
hesitate.
One evening Adolphus took his horn, and, attended by wife and child,
went out to walk. He meant to send a strain from the highest of the
accessible coast-rocks. But Elizabeth changed his plan. The time was
good for what she had to say. Instead of expending his enthusiasm on a
flourish of notes, he was called upon to manifest it in a noble
resolution.
When Elizabeth invited her father to a prospect sylvan rather than
marine, to the shady path on the border of the wood between it and the
prison, Montier, easily drawn from any plan that concerned his own
inclination merely, let his daughter lead, and she was responsible for
all that followed in the history of that little family. So love defers
to love, with divine courtesy, through all celestial movements.
After playing a few airs, Montier's anticipated evening ended, and
another set in. The sympathies of a condition, the opposite to that of
which he had been so happily conscious, pressed too closely against
him. The musician could not, for the life of him, have played with
becoming spirit through any one of all the strains of victory he knew.
Near him, under a tulip-tree, sat Pauline, with her knitting in her
hand, the image of peace. Not so Elizabeth. She was doubting, troubled.
But when the bird her father's music moved to sing was still, she
spoke, as she had promised herself she would, asking a question, of
whose answer she had not the slightest doubt.
"Papa, do you know that Mr. Laval is going away?"
"Why, yes, that's the talk, I believe."
"Will they get somebody to take his place?"
"Of course. There's a prisoner on hand yet, you know,--and the house to
look after."
"A big house, too, and dreadful dreary," remarked the mother of
Elizabeth. "Laval's wife used to say, when she came up to see me
sometimes, it was like being a prisoner to live in that building. And
now she's dead and gone, he begins to think the same."
Public-domain text, read in full here on John Shaqi.
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