The Atlantic Monthly, Volume 03, No. 19, May, 1859: A Magazine of Literature, Art, and PoliticsVarious
History
The Atlantic Monthly, Volume 03, No. 19, May, 1859: A Magazine of Literature, Art, and Politics
Various
American periodicals
The Pine Rat, in his vocation as a picker-up of every unconsidered
trifle, is an adept at charcoal-burning, on the sly. The business of
legitimate charcoal-manufacture is also largely practised in the Pines,
although the growing value of wood interferes sadly with the coalers.
Here and there, however, a few acres are marked out every year for
charring, and the coal-pits are established in the clearing made by
felling the trees. The "coaling," as it is technically termed, is an
assemblage of "pits," or piles of wood, conical in form, and about ten
feet in height by twenty in diameter. The wood is cut in equal lengths,
and is piled three or four tiers high, each log resting on the end of
that below it, and inclining slightly inwards. An opening is left in the
centre of the pile, serving as a chimney; and the exterior is overlaid
with strips of turf, called "floats," which form an almost air-tight
covering. When the pile is overlaid, fire is set at various small
apertures in the sides, and when the whole "pit" is fairly burning, the
chimney is closed, in order to prevent too rapid combustion, and the
whole pile is slowly converted into charcoal. The application of the
term "pit" to these piles is worthy of remark. It is due, of course,
to the fact, that for centuries it was customary to burn charcoal in
excavated pits, until it was discovered that gradual combustion could be
as well secured by another and less tedious method.
The Pine Rat glories in his surreptitious coal-pits. In secluded
portions of the forest, he may continually be discovered pottering over
a "coaling," for which he has stolen the wood. This, indeed, is his only
handicraft,--the single labor to which he condescends or is equal. Two
or three men sometimes band together and build themselves huts after
the curious fashion peculiar to the Rat, namely, by piling sticks or
branches in a slope on each side of some tall pine, so that a wigwam,
with the trunk of the tree in the centre, is constructed. Inside this
triangular shelter--the idea of which was probably borrowed from the
Indians--the Pine Rat ensconces himself with his whiskey-bottle at
night, crouching in dread of the darkness, or of Leeds's devil,
aforesaid. In this respect he singularly resembles the Bohemian
charcoal-burner, who trembles at the thought of Rübezahl, that malicious
goblin, who has an army of mountain-dwarfs and gnomes at his command. So
long as the sunlight inspires our Rat with confidence, however, he will
work at his coal-pit, while one comrade is away in the forest, snaring
game, and another has, perhaps, been dispatched to the precincts of
civilization with his wagon-load of coal. Yes! the Pine Rat sometimes
treads the streets of cities,--nay, even extends his wanderings to the
banks of the Delaware and the Hudson, to Philadelphia and Trenton,
to Jersey City and New York. Then, who so sharp as the grimy
tatterdemalion, who passes from street to street and from house to
Public-domain text, read in full here on John Shaqi.
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