The Atlantic Monthly, Volume 11, No. 64, February, 1863: A Magazine of Literature, Art, and PoliticsVarious
History
The Atlantic Monthly, Volume 11, No. 64, February, 1863: A Magazine of Literature, Art, and Politics
Various
American periodicals
To traverse the works of some authors is like going through a
carefully arranged herbarium, where every specimen is lifeless,
shrivelled, dusty, crumbling to the touch. The writings of genuine men
of genius are like a conservatory, where every plant of thought and
sentiment, whether indigenous or exotic, is alive, full of bloom and
fragrance, the sap at work in its veins. Verbal statements which are
petrifactions of wisdom can neither stimulate nor nourish; but verbal
statements which are vital concentrations of wisdom do both. He
has learned one of the most important lessons in human life who
understands adequately the difference between formal perception and
organic experience, contrasting the futility of detached and deathly
proverbs with the utility of nutritious and electrical maxims.
A mechanical teacher crowds the ear with mummified precepts and
exhortations; an inspired teacher brings surcharged examples and
rules into contact with the mind. The distinction is world-wide and
inexhaustible.
* * * * *
SHELLEY.
BY ONE WHO KNEW HIM.
If photography had existed during the lifetime of Shelley, it alone
would have sufficed to correct many a misconception of his character
founded upon imperfect portraiture; and even the most boyish
recollections of him, matter-of-fact as they are, may help to solve
the problem upon which many minds have been engaged without yet
having finished the work. For Shelley still remains before the
world misconceived because misdescribed; and if society is
gradually clearing its ideas of the man, it is not only because
the preconceptions of that multitudinous authority are themselves
gradually drifting away, but also because substantial facts are slowly
coming into view. Their development has been hindered by obstacles
which will be understood when I have proceeded a little farther, and
even within the compass of this brief sketch I hope that I shall be
able to make readers on both sides of the Atlantic work their own way
a little closer to the truth.
Shelley is still regarded by the majority, either as a victim of
persecution, or a rebel against authority, or both,--his friends
probably inclining to hold him up as a philosopher-patriot, whose
resistance to intellectual oppression placed him in the condition of
a martyr and robbed him of his fair share of life. My own earliest
memory presents him very much in that aspect. I first recall him
pale and slender, worn with anxiety, openly alluding to the marks of
premature age in his own aspect, bursting with aspirations against
tyranny of all kinds, and yielding to fits of dreadful despondency
under sufferings inflicted by the dignitaries of the land at the
instance of his own family. The circumstances by which he was
surrounded contributed to this guise of martyrdom.
Public-domain text, read in full here on John Shaqi.
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