The Atlantic Monthly, Volume 12, No. 69, July, 1863: A Magazine of Literature, Art, and PoliticsVarious
General
The Atlantic Monthly, Volume 12, No. 69, July, 1863: A Magazine of Literature, Art, and Politics
Various
American periodicals
A true Englishman is a kind man at heart, but has an unconquerable dislike
to poverty and beggary. Beggars have heretofore been so strange to an
American that he is apt to become their prey, being recognized through his
national peculiarities, and beset by them in the streets. The English
smile at him, and say that there are ample public arrangements for every
pauper's possible need, that street-charity promotes idleness and vice,
and that yonder personification of misery on the pavement will lay up a
good day's profit, besides supping more luxuriously than the dupe who
gives him a shilling. By-and-by the stranger adopts their theory and
begins to practise upon it, much to his own temporary freedom from
annoyance, but not entirely without moral detriment or sometimes a too
late contrition. Years afterwards, it may be, his memory is still haunted
by some vindictive wretch whose cheeks were pale and hunger-pinched, whose
rags fluttered in the east-wind, whose right arm was paralyzed and his
left leg shrivelled into a mere nerveless stick, but whom he passed by
remorselessly because an Englishman chose to say that the fellow's misery
looked too perfect, was too artistically got up, to be genuine. Even
allowing this to be true, (as, a hundred chances to one, it was,) it would
still have been a clear case of economy to buy him off with a little loose
silver, so that his lamentable figure should not limp at the heels of your
conscience all over the world. To own the truth, I provided myself with
several such imaginary persecutors in England, and recruited their number
with at least one sickly-looking wretch whose acquaintance I first made at
Assisi, in Italy, and, taking a dislike to something sinister in his
aspect, permitted him to beg early and late, and all day long, without
getting a single baiocco. At my latest glimpse of him, the villain avenged
himself, not by a volley of horrible curses, as any other Italian beggar
would, but by taking an expression so grief-stricken, want-wrung,
hopeless, and withal resigned, that I could paint his life-like portrait
at this moment. Were I to go over the same ground again, I would listen to
no man's theories, but buy the little luxury of beneficence at a cheap
rate, instead of doing myself a moral mischief by exuding a stony
incrustation over whatever natural sensibility I might possess.
Public-domain text, read in full here on John Shaqi.
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