The Atlantic Monthly, Volume 13, No. 78, April, 1864: A Magazine of Literature, Art, and PoliticsVarious
History
The Atlantic Monthly, Volume 13, No. 78, April, 1864: A Magazine of Literature, Art, and Politics
Various
American periodicals
One word, in the beginning, regarding the book before us. The death of
its author, while as yet but seven chapters of his work had been
printed, would preclude severe criticism, even if the spirit and purpose
with which he entered upon his undertaking, and which he sustained to
its close, did not dispose us to look leniently upon imperfections of
detail. Possessing that first requisite of a biographer, thorough
sympathy with his subject, he did not fall into the opposite error of
indiscriminate panegyric. Looking at life from the standpoint of the
"madman," he saw how fancies could not only appear, but be, facts; and
then, crossing over, he looked at the madman from the world's
standpoint, and saw how these soul-born facts could seem not merely
fancies, but the wild vagaries of a crazed brain. For the warmth with
which he espoused an unpopular cause, for the skill with which he set
facts in their true light, for the ability which he brought to the
defence of a man whom the world had agreed to condemn, for the noble
persistence with which he forced attention to genius that had hitherto
received little but neglect, we cannot too earnestly express our
gratitude. But the greater our admiration of material excellence, the
greater is our regret for superficial defects. The continued oversight
of the author would doubtless have removed many infelicities of style;
yet we marvel that one with so clear an insight should ever, even in the
first glow of composition, have involved himself in sentences so
complicated and so obscure. The worst faults of Miss Sheppard's worst
style are reproduced here, joined to an unthriftiness in which she had
no part nor lot. Not unfrequently a sentence Is a conglomerate in which
the ideas to be conveyed are heaped together with no apparent attempt at
arrangement, unity, or completeness. Surely, it need be no presumptuous,
but only a tender and reverent hand that should have organized these
chaotic periods, completing the work which death left unfinished, and
sending it forth to the world in a garb not unworthy the labor of love
so untiringly bestowed upon it by the lamented author.
To show that our strictures are not undeserved, we transcribe a few
sentences, taken at random from the memoir:--
"Which decadence it was led this Pars to go into the juvenile
Art-Academy line, _vice_ Shipley retired."
"The unusual notes struck by William Blake, in any case appealing but to
one class and a small one, were fated to remain unheard, even by the
Student of Poetry, until the process of regeneration had run its course,
and, we may say, the Poetic Revival gone to seed again: seeing that the
virtues of simplicity and directness the new poets began by bringing
once more into the foreground, are those least practised now."
Public-domain text, read in full here on John Shaqi.
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