The Atlantic Monthly, Volume 17, No. 103, May, 1866: A Magazine of Literature, Science, Art, and PoliticsVarious
General
The Atlantic Monthly, Volume 17, No. 103, May, 1866: A Magazine of Literature, Science, Art, and Politics
Various
American periodicals
At Naples Reuben hears from the captain of the Meteor--in which good
ship he has made his voyage, and counts upon making his return--that the
vessel can take up half her cargo at a better freight by touching at
Marseilles. Whereupon Reuben orders him to go thither, promising to join
him at that port in a fortnight. A fortnight only for Rome, for
Florence, for Pisa, for the City of Palaces, and then the marvellous
Cornice road along the shores of the sea. Terracina brought back to him
the story of Mr. Alderman Popkins and the Principessa, and the bandits;
after this came the heights of Albano and Soracte, and there, at last,
the Tiber, the pyramid tomb, the great church dome, the stone pines of
the Janiculan hill,--Rome itself. Reuben was not strong or curious in
his classics; the galleries and the churches took a deeper hold upon him
than the Forum and the ruins. He wandered for hours together under the
arches of St. Peter's. He wished he might have led the Doctor along its
pavement into the very presence of the mysteries of the Scarlet Woman of
Babylon. He wished Miss Almira, with her saffron ribbons, might be
there, sniffing at her little vial of salts, and may be singing treble.
The very meeting-house upon the green, that was so held in reverence,
with its belfry and spire atop, would hardly make a scaffolding from
which to brush the cobwebs from the frieze below the vaulting of this
grandest of temples. Oddly enough, he fancies Deacon Tourtelot, in his
snuff-colored surtout, pacing down the nave with him, and saying,--as he
would be like to say,--"Must ha' been a smart man that built it; but I
guess they don't have better preachin', as a gineral thing, than the old
Doctor gives us on Fast-Days or in 'protracted' meetin's."
Public-domain text, read in full here on John Shaqi.
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