But no leader had as yet arisen to give proper voice to the desire for reformation that burned in the hearts of the common people. The writers of that age were breathing the intoxicating air of court favor, and heeded not the sufferings of the common rabble. Froissart, the courtly canon and chronicler of deeds of chivalry, was writing French madrigals and amorous ditties for the ear of Queen Philippa, and loved too well gay society, luxurious feasts, and dainty attire, not to shrink with disgust from thought of the dirty, uncouth, and miserable herd of "greasy caps." Gower was inditing fashionable love-songs. Chaucer, who years after was to direct such telling blows in his Canterbury Tales at the vices and corruptness of the clergy, was a favorite member of the retinue of the powerful "John of Gaunt, time-honored Lancaster," and had as yet only written long and stately poems on the history of Troilus and Cressida, the Parliament of Birds, and the Court of Love. Wycliffe, the great English reformer of the Church, was quietly living at his rectory of Fylingham, and preparing his first essays against the mendicant orders. John Ball, the "crazy priest of Kent," as Froissart calls him, was brooding over the miseries of his poor parishioners, and nursing in his mind that enmity to all social distinctions with which he afterwards inflamed the minds of the peasantry, and incited them to open rebellion. But in the quarter least expected the oppressed people found an advocate. An unobtrusive monk, whose name is almost a doubtful tradition, stole out from his quiet cell in Malvern Abbey, and, whilst his brethren feasted, climbed the gentle slope of the Worcestershire hills, and drank in the beauties of the varied landscape at his feet. There, on a May morning, as he rested under a bank by the side of a brooklet, and was lulled to sleep by the murmuring of the water, he dreamed those dreams that set waking people to thinking, and gave a powerful impetus to the moral and social revolution that was just commencing. The "Vision of Piers Plowman" is every way a singular production. Clothed in the then almost obsolete verse of a past age, it breathes wholly the spirit of the time in which it was written. The work of a monk, it is unsparing in its attacks on the monastic orders. Intended for the reading or hearing of the middle and lower classes, it gives more frequent glimpses of the social condition of all ranks of people than any other work of that age. As a philological monument, it is of great value; as a poem, it contains many passages of merit; and as a storehouse of allusions to the social life of the people in the fourteenth century, it is invaluable.