The Atlantic Monthly, Volume 18, No. 110, December, 1866: A Magazine of Literature, Science, Art, and PoliticsVarious
History
The Atlantic Monthly, Volume 18, No. 110, December, 1866: A Magazine of Literature, Science, Art, and Politics
Various
American periodicals
The house in Portsmouth now owned and occupied by the Rev. Mr. Burroughs
was formerly the mansion of Governor Langdon. It contains noble and
spacious rooms. The Doctor's library is a fine apartment, extending, I
think, the whole breadth of the house, forty or fifty feet, with
elaborate cornices, a carved fireplace, and other antiquated
magnificences. It was, I suppose, the reception-room, and occasionally
the dining-hall. The opposite parlor is likewise large, and finished in
excellent style, the mantelpiece being really a fine architectural
specimen.... Doctor Burroughs is a scholar, rejoicing in the possession
of an old, illuminated missal, which he showed us, adorned with
brilliant miniatures and other pictures by some monkish hand. It was
given him by a commodore in the navy, who picked it up in Italy, without
knowing what it was, nor could the learned professors of at least one
college inform him, until he finally offered it to Dr. Burroughs, on
condition that he should tell him what it was. We likewise saw a copy of
the famous "Breeches Bible," and other knicknacks and curiosities which
people have taken pleasure in giving to one who appreciated such things,
and whose kindly disposition makes it a happiness to oblige him. His
house has entertained famous guests in the time of the old
Governor,--among them Louis Philippe, Talleyrand, Lafayette, and
Washington, all of whom occupied successively the same chamber; besides,
no doubt, a host of less world-wide distinguished persons.
* * * * *
A battery of thirty-two pound periods.
* * * * *
In the eyes of a young child or other innocent person, the image of a
cherub or an angel to be seen peeping out,--in those of a vicious
person, a devil.
* * * * *
_October 11._ In Boston, a man passing along Colonnade Row, grinding a
barrel-organ, and attended by a monkey, dressed in frock and pantaloons,
and with a tremendously thick tail appearing behind. While his master
played on the organ, the monkey kept pulling off his hat, bowing and
scraping to the spectators, round about,--sometimes, too, making a
direct application to an individual,--by all this dumb show, beseeching
them to remunerate the organ-player. Whenever a coin was thrown on the
ground, the monkey picked it up, clambered on his master's shoulder, and
gave it into his keeping, then descended, and repeated his pantomimic
entreaties for more. His little, old, ugly, wrinkled face had an
earnestness that looked just as if it came from the love of money deep
within his soul. He peered round, searching for filthy lucre on all
sides. With his tail and all, he might be taken for the Mammon of
copper coin,--a symbol of covetousness of small gains,--the lowest form
of the love of money.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account