The Attic theatre : $b a description of the stage and theatre of the Athenians, and of the dramatic performances at AthensHaigh, A. E. (Arthur Elam)
History
The Attic theatre : $b a description of the stage and theatre of the Athenians, and of the dramatic performances at Athens
Haigh, A. E. (Arthur Elam)
Athens (Greece) -- Intellectual life; Greek drama -- History and criticism; Theater -- Greece -- Athens -- History -- To 500
The next point to consider is the nomination of the choregi, who provided
the choruses. In the case of the dithyrambic contests, which were tribal
in character, the choregi were appointed by the separate tribes, the
appointment taking place one month after the last festival.[208] But as
the drama had no connexion with the tribal system, the dramatic choregi
were taken indiscriminately from the general mass of citizens. They were
nominated by the archon in charge of each festival immediately after his
accession to office in July.[209] This, at any rate, was the original
system. But about the middle of the fourth century a change was made in
the case of the comic choregi. Their appointment was transferred from the
archon to the tribes.[210] Ten choregi were required every year, and each
tribe had to supply one. By this innovation the election of the comic
choregi was assimilated to that of the dithyrambic. But the change was
a mere piece of administrative detail, and had no further significance.
The comic contests remained, as before, independent of the tribal
arrangement, and the name of the tribe never appears in the records of
the contests.[211]
The choregia was one of the public burdens which had to be undertaken in
turn by the richer citizens. Any man of sufficient wealth might be called
upon after he had reached the age of twenty, though no one under the age
of forty could be choregus to a boys’ chorus.[212] The order was fixed by
law. But a citizen of unusual generosity and ambition might volunteer for
the office out of his proper turn. The defendant in one of the speeches
of Lysias tries to favourably impress the jury by explaining to them that
he has supplied eight choruses in nine years, in addition to such burdens
as the war-tax and the trierarchy.[213] Sometimes, however, there was a
difficulty in finding, even among those who were liable, a sufficient
number of rich men to fill the office. This was especially the case
towards the end of the Peloponnesian War, when there had been long and
heavy drains upon the resources of the state.[214] Accordingly in 406 it
was found necessary to lighten the burden. A law was passed that, each
dramatic chorus at the City Dionysia should be provided by two choregi
instead of one, thus diminishing the cost to individuals by half. This
law was only intended as a temporary expedient. It was not applied to the
Lenaea[215]; and even at the City Dionysia it was repealed in the course
of the next fifty years.[216]
Public-domain text, read in full here on John Shaqi.
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