As the machine glided into noiseless motion Lorelei noted a limousine
waiting near by, and saw a dim figure within. The dome-light had been
turned off, and she could detect only a white shirt-front, the blurred
outline of a face, and the glowing point of a cigar.
"You can follow that man's example if you wish," said she, "and hide
until we're away from the bright lights."
Merkle answered shortly, "Your reputation may suffer, not mine." He
leaned forward and inquired of the chauffeur, "Who's car is that?"
"Mr. Hammon's, sir. He's going our way, so his man said."
"I thought so. We'll have company."
"Why do you choose the Long Island road?" asked Lorelei.
"It's pleasant," responded Merkle. "I ride nearly every night, and I
like the country. You see, I can't sleep unless I'm in motion. I get
most of my rest in a car; there's something about the movement that
soothes me."
"How funny!"
"Peculiar, perhaps, but scarcely humorous. I'd be dead or insane
without an automobile. You see, I'm nothing but a rack of bones strung
together with quivering nerves--always been so, and I'm getting worse.
I keep four French cars in my garage, all specially built as to
spring-suspension and upholstery, and I spend nearly every night in one
or the other of them. It's seldom I do less than a hundred miles
between midnight and morning; sometimes, when I'm bad, I do twice that.
So long as I'm moving fast I manage to snatch a miserable sort of
repose, but the instant we go slow I wake up. It's the sensation of
flight, the music of a swift-running motor, the wind blowing in my
face, that lulls me; but it's getting harder all the time. I used to
sleep at twenty miles an hour; now I can't relax under thirty. Forty is
fine--sixty means dreamless peace."
"It does, indeed, if one happens to have a blowout," laughed the girl.
"I have trouble keeping chauffeurs. The darkness breaks their nerve,
and they play out in two or three months. I've known them to crack
under the strain in a week, and yet all the time I want to go
faster--faster. Some night, when a bolt breaks, or my driver's eye and
hand fail to co-ordinate, it will all end, I suppose, in a twinkling,
and--I'll get a good rest at last. Meanwhile I thank Heaven and Mr.
Vanderbilt for the Motor Parkway."
Public-domain text, read in full here on John Shaqi.
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