Looking back upon last night's homeward ride, she was wholly at a loss.
In view of Jim's words and of what she had gathered at the theater she
had felt sure of Lilas's complete knowledge of the blackmail plot, but
Hammon's unwavering faith in the girl and Lilas's own story of her
relations with Max Melcher had awakened a doubt. If Lilas had told the
whole truth, and if she really cared for Hammon, the affair, despite
its clandestine nature, would bear a more favorable construction, and
Lorelei could not entirely withhold her sympathy from the offending
pair. Of the two Hammon was the more blameworthy; but his domestic
unhappiness in a measure canceled his guilt--so, at least, said the
code under which Lorelei lived. What concerned her far more than the
moral complexion of the liaison, was her brother's connection with the
unlawful scheme of extortion. Jim, she saw, had gone wrong with a
vengeance, and the consequences to him troubled her, for in spite of
all that he might be or do she cherished a sisterly affection for him.
Family ties were very real and very strong to her--strong enough to
keep her loyal to her kin even after the demoralizing change in her
whole mode of life. The firmest, in fact, the only bond that she had
ever known, was that of blood; obedience, faithfulness, and affection
had been born in her, and she never thought to question their
sacredness.
Idling down Fifth Avenue, she found herself in front of a fashionable
department store. A knot of curious people were gaping at a unique
automobile which stood in the line of vehicles along the curb, and she
paused to look. The equipage was snow-white in color; its upholstery
was of soft, white leather; the chauffeur and a stiff-backed footman
were in blood-red with white facings on their livery. Upon their left
sleeves was worked the gold monogram "A. D." In their caps both men
wore cockades that resembled shaving-brushes. A tiny mop of a lap-dog,
imprisoned within the closed body of the car, was barking frenziedly at
the throng. He was an animated bundle of cotton, with shoe-button eyes
sewed into one end. As for the car itself, Lorelei decided it to be a
combination of every absurd tradition of the coach-builder's art.
Across the doors, in gold letters an inch high, was the name "Adoree
Demorest."
As she entered the store Lorelei reflected with some disgust that no
visiting Rajah, no barbaric potentate--no one, in fact, except a
self-advertised musical-comedy queen--would so flagrantly defy good
taste as to ride in such a vehicle.
Public-domain text, read in full here on John Shaqi.
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