The Automaton Ear, and Other SketchesMcLandburgh, Florence
Science
The Automaton Ear, and Other Sketches
McLandburgh, Florence
American fiction -- 19th century; Short stories, American
That night Boydell, from some unknown source, had scraped up two
shillings.
He could take twice the quantity of liquor that would intoxicate any
other man, and beyond a redness of the nose and a flushed glistening
appearance about the “gills,” he manifested no symptom of intemperance.
He had a trick of using his hand as a shield around the glass and
pouring in whisky to the very brim, so he always got a double drink for
one price. When the boys asked him why he held the tumbler in that
peculiar manner, “It was habit,” he said, “merely habit.” I remember at
Lawrence, Kansas, they had unusually small glasses, and he went into a
logical discussion with the bar-keeper to show the evil of the thing. It
was wrong; it looked mean; it would ruin his custom. Not that he
(Boydell) cared; it was nothing to him, it was only the _principle_ he
objected to; it appeared penurious.
Boxing, I found, was the one thing—aside from his acting—upon which
Boydell prided himself. If he heard of a person about the neighborhood
who made any pretentions in this respect, he would walk miles through
rain or mud to vanquish the “presumptuous fool.” I could not keep from
feeling interested in this singular man. Reared in the English colleges,
with the polish of the classics upon him, destined and trained for the
British army, he had given it all up for this worthless, roving,
vagabond life. And yet—although degraded, intemperate, and often
profane—there was still a natural reserve about Boydell that commanded
respect.
Our expenses had been steadily increasing, and our finances did not
prove equal to the demand; at least they would not justify a longer run.
We played two weeks at Leavenworth City, and disbanded, scattering in
all directions.
I went home to M—— with a feeling of unutterable relief. My theatrical
experience had brought me to the determination of letting the stage
alone for the present, or trying it in a different capacity. Devoting my
whole time to a more lucrative business, I heard nothing about any of
the old troupe, and I did not care to see one of them again, unless it
was Boydell. I had little hope of ever meeting him; it would be mere
chance if I did, and I knew he might just as likely now be in Europe or
Australia as in this country. But we were destined once more to come in
contact.
M—— was a flat, muddy, thriving little town in Western Illinois. It had
built a theater, and was a focus for strolling actors and adventurers—a
kind of center, where the remnant of theatrical troupes that had come to
grief straggled in to recruit. The citizens did not consider this a very
distinguishing characteristic to boast of, but in reality it was what
raised the place out of oblivion; otherwise its few thousand inhabitants
might, like their neighbors, have lived for ever in obscurity.
Public-domain text, read in full here on John Shaqi.
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