The Automaton Ear, and Other SketchesMcLandburgh, Florence
Science
The Automaton Ear, and Other Sketches
McLandburgh, Florence
American fiction -- 19th century; Short stories, American
The men stood up. Monk, small and slim, was dwarfed by the almost giant
stature of his companion. With a few parting words as to secrecy and
silence, they separated.
Monk stood on the upper step until Shiflet disappeared, then closed the
door and replaced the candle on the table.
The room, neither large nor small, was a mere hole, smoked, dirty, and
unplastered, high up in a frame tenement-house. Two or three chairs, an
old chest of drawers, a rickety bedstead, and pine table, composed its
furniture. Some old boots and broken pieces of pig-iron lay scattered
about. The small, box-shaped window was set just below where the ceiling
or roof sloped to the wall. The only door led directly to the stairs
that went down two, three flights to the ground. There were many such
places in Agatha, where the furnace-hands lived.
Monk walked rapidly up and down the room, as if making an effort to wear
off the excitement that the last few moments had brought upon him. His
features had lost much of the malignant expression, which was by no
means habitual. His countenance was not hardened or stamped with the
impress of crime like Shiflet’s, who had just parted from him at the
door—a countenance in which every trace of conscience had long ago been
erased. Monk’s face was neither good nor bad, neither bright nor dull;
but he was a man easily wrought into a passion, governed by impulse.
Crossing to the table, he slung his coat over a chair, and stretched out
his hand to extinguish the light. Midway in the action he suddenly
checked himself, looked hurriedly around the room for an instant, and
stood motionless, with inclined head, listening intently. Not a sound
disturbed the stillness. Pinching out the light, he threw himself on the
bed, and in the darkness there soon came the heavy, regular respiration
of sleep.
The house at Agatha nestled under the north cliff. A hundred feet above
them the railroad lost itself in the black mouth of a tunnel and
reappeared beyond, a high wall of trestlework stretching southward down
the valley to Ely’s Mines. Hours ago, the toiling men and cattle had
lain down to rest, and now the wild, rocky hills around slept in the
moonlight. No sound broke upon the stillness but the muffled puff, puff,
of the furnace, and a murmur of frogs that rose and fell interruptedly
along the shrunken water-course. The cabins under the cliff shone white
and sharp; the iron on the metal-switch flashed with a million gems; the
rails upon the trestle, receding, turned to silver, and the foliage of
early Summer glittered on the trees. A few passionless stars blinked
feebly in the yellow light, where the hill-tops cut against the sky, and
sank below the verge. Calmly, peacefully waned the night—calmly and
peacefully, as though the spirit of evil had not stalked abroad plotting
the death and ruin of men’s bodies and souls.
Public-domain text, read in full here on John Shaqi.
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