The Awakening: (The Resurrection)Tolstoy, Leo, graf
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The Awakening: (The Resurrection)
Tolstoy, Leo, graf
Forgiveness -- Fiction; Russia -- Social life and customs -- Fiction
Beside the Princess sat Kolosoff, stirring the coffee. A glass of
liquor was on the table.
Missy entered, together with Nekhludoff, but she did not remain in the
room.
"When mamma gets tired of you and drives you away, come to my room,"
she said, turning to Nekhludoff, as if nothing had happened, and,
smiling cheerfully, she walked out of the room, her steps deadened by
the heavy carpet.
"Well, how do you do, my friend? Sit down and tell us the news," said
Sophia Vasilievna, with an artful, feigned, resembling a perfectly
natural, smile, which displayed her beautiful, long, skillfully made,
almost natural-looking teeth. "I am told that you returned from the
court in very gloomy spirits. It must be very painful to people with a
heart," she said in French.
"Yes, that is true," said Nekhludoff. "One often feels his--feels that
he has no right to judge others."
"Comme c'est vrai!" she exclaimed, as if struck by the truth of the
remark, and, as usual, artfully flattering her friend.
"And what about your picture? It interests me very much," she added.
"Were it not for my indisposition, I should have visited you long
ago."
"I have given up painting entirely," he answered dryly. Her unjust
flattery was as apparent to him to-day as was her age, which she
attempted to conceal. Try as he would, he could not force himself to
be pleasant.
"It is too bad! You know, Riepin himself told me that Nekhludoff
possesses undoubted talent," she said, turning to Kolosoff.
"What a shameless liar!" Nekhludoff thought, frowning.
Seeing that Nekhludoff was in ill humor, and could not be drawn into
pleasant and clear conversation, Sophia Vasilievna turned to Kolosoff
for his opinion of the new drama, with an air as if Kolosoff's opinion
would dispel all doubt and every word of his was destined to become
immortalized. Kolosoff condemned the drama and took occasion to state
his views on art. The correctness of his views seemed to impress her;
she attempted to defend the author of the drama, but immediately
yielded, or found a middle ground. Nekhludoff looked and listened and
yet saw and heard but little.
Listening now to Sophia Vasilievna, now to Kolosoff, Nekhludoff saw,
first, that neither of them cared either for the drama or for each
other, and that they were talking merely to satisfy a physiological
craving to exercise, after dinner, the muscles of the tongue and
throat. Secondly, he saw that Kolosoff, who had drunk brandy, wine and
liquors, was somewhat tipsy--not as drunk as a drinking peasant, but
like a man to whom wine-drinking has become a habit. He did not reel,
nor did he talk nonsense, but was in an abnormal, excited and
contented condition. Thirdly, Nekhludoff saw that Princess Sophia
Vasilievna, during the conversation, now and again anxiously glanced
at the window, through which a slanting ray of the sun was creeping
toward her, threatening to throw too much light on her aged face.
Public-domain text, read in full here on John Shaqi.
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