The Bandolero; Or, A Marriage among the MountainsReid, Mayne
History
The Bandolero; Or, A Marriage among the Mountains
Reid, Mayne
Mexico -- History -- 19th century -- Fiction
The Paseo of Puebla is poor by comparison; but its Alameda is not
without merits. It is a large quadrangle lying on the western edge of
the city; with trees, walks, statues, flowers, fountains, and all the
usual adornments of a public garden. Around it is a road for carriages
and equestrians, as well as a path for promenaders--with benches at
intervals on which they may rest themselves.
Its view includes the _teocalli_ of Cholula, with the church of the
virgin "Remedios" on its top; beyond, the snow-cone of Popocatepec, and
the twin _nevada_ of the "White Sister."
It was not to look upon these that I was "in the Alameda at six
o'clock;" or, perhaps, a half-hour earlier.
With such an appointment as mine, no living man could have restrained
himself from anticipating the time.
As the place is devoted to the three several kinds of recreation--
walking, riding, driving--it was a question in which way Mercedes would
present herself.
The last was the most likely; though the first would have been the more
convenient--keeping in view the supposed purpose.
It was the mode I had myself adopted: having entered the enclosure as a
simple pedestrian, and in civilian dress--to avoid observation.
I sauntered along the walks--apparently admiring the flowers, and
criticising the statues. It was sheer pretence--to deceive the
promenaders, who were moving before and behind me. At that moment I had
no thought, either of the elegancies of Art, or the beauties of Nature;
not even for its sublimities, displayed within sight on the snow-clad
slopes of the great "Cordillera."
I was thinking only of the beauty of woman--impatient to behold it in
its most perfect type.
Was it to appear on foot, on horseback, or between wheels?
Considering the character of the times--and that Red Hats were in the
Alameda--the last was the most likely.
Notwithstanding this conjecture, I scrutinised every female pedestrian
who came inside the enclosure--even those coifed by the cheapest
_reboso_.
Though her sister had said otherwise, Mercedes might not always be free
to go forth? She might have to take her recreation by stealth, and
disguised?
My surmises soon came to an end; and, to my joy, proved erroneous.
Dolores had been right. The _cochero_ in black glaze hat and _jaqueta_
of blue camlet cloth, driving a pair of _frisones_, could be no other
than he who had once lost a doubloon by staying too late over his stable
duties?
I took no further note of him. Thenceforth my eyes were occupied with a
countenance seen through the windows of the carriage. It was a
_carretela_ of elegant construction--all glass in front--best plate, and
clear as crystal.
The face inside was but improved by its interposition--toned to the
softness of tinted wax.
It needed no scrutiny to identify it. There was no mistaking the
countenance of Mercedes.
I had done this before; but that was under the uncertain glimmer of a
street lamp.
Public-domain text, read in full here on John Shaqi.
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