It is not my intention in this work to do more than briefly refer to a few of the most famous of the German hauntings in their relation to the Banshee; and, since it is the best known, I would first of all call attention to the White Lady, that restricts its unwelcome attentions to Royalty, and more especially, perhaps, to that branch of it known as the House of Hohenzollern. Between this White Lady family phantasm and the Banshee there is undoubtedly something in common. They are both exclusively associated with families of really ancient lineage, which they follow about from town to town, province to province, and country to country; and the purpose of their respective missions is generally the same, namely, to give warning of some approaching death or calamity, which in the case of the White Lady is usually of a national order. Occasionally, too, the German family ghost, like the Banshee, is heard playing on a harp, but here I think the likeness ends. There are no very striking characteristics in the appearance of the White Lady of the Hohenzollerns, she would seem to be neither very beautiful nor the reverse; nor does she convey the impression of belonging to any very remote age; on the contrary, she might well be the earth-bound spirit of someone who died in the Middle Ages or even later. In December, 1628, she was seen in the Royal Palace in Berlin, and was heard to say, "_Veni, judica vivos et mortuos; judicum mihi adhuc superest_"--that is to say, "Come judge the quick and the dead--I wait for judgment." She also manifested herself to one of the Fredericks of Prussia, who regarded her advent as a sure sign of his approaching death, which it was, for he died shortly afterwards. We next read of her appearing in Bohemia at the Castle of Neuhaus. One of the princesses of the royal house was trying on a new head-gear before a mirror, and, thinking her waiting-maid was near at hand, she inquired of her the time. To the Princess's horror, however, instead of the maid answering her, a strange figure all in white, which her instincts told her was the famous national ghost, stepped out from behind a screen and exclaimed, "_Zehn uhr ist es irh Liebden!_" "It is ten o'clock, your love"; the last two words being the mode of address usually adopted in Germany and Austria by Royalties when speaking to one another. The Princess was soon afterwards taken ill and died.