The Baronial Halls, and Ancient Picturesque Edifices of England; Vol. 1 of 2Hall, S. C. (Samuel Carter)
History
The Baronial Halls, and Ancient Picturesque Edifices of England; Vol. 1 of 2
Hall, S. C. (Samuel Carter)
Historic buildings -- England
The battlements of the Gate-house, assuming the appearance of small
gables, the points of which, crowned with richly carved hoop garlands
and vanes, correspond with those of the triple dome below, give height
to the whole, and complete the beauty and harmony of the design. The
Inner Court of fine masonry, embattled, appears in its original state;
and is distinguished by the bay window of the Hall on the north side.
The interior of the Mansion has little of its primitive character; but
“the florid style of architecture which prevailed, is still conspicuous
in the fair tracery, pendant, and spandrels of the bay window,” which
retains its early beauty. Of the number and variety of the apartments at
Hengrave, and of the splendid luxury of its domestic arrangements, some
judgment may be formed from the “Inventory,” dated 1603, of which Mr.
Gage prints a copy. Here we read of the Queen’s Chamber, the Chiefe
Chamber, the Great Chamber, the Armoury, the Gallery at the Tower, the
Dyning Chamber, the Chapell Chamber, the Chamber in which the muscycions
playe, and a host of others--all magnificently furnished. The Great
Chamber was hung with eight large pieces of fine arras--“parke worke
with great beasts and fowls, 160 yards;” the cheyres and stooles were
covered with coloured clothe of silver; the carpetts were of Turkeye
worke. The Dyning Chamber had its tapestrye--“of the story of Danea.”
The Wynter Parlor, its “pfuming frame of brasse” and “chesse boorde, wᵗʰ
men to it.” To the furniture of the Armoury and the Musicians’ Chamber
we have adverted. The contents of the “Sadler’s Shopp,” however, denotes
more pointedly the wealth and luxury of the family. The saddles were of
sumptuous character--“layed with gould lace;” “fringed with gould and
silke;” “embroidered with goulde and purle;” and so forth.
Towards the close of the last century, the Mansion was the abode of a
sisterhood of expatriated nuns. They belonged to the English Convent of
Austin Nuns at Bruges, and obtained an asylum here by the generosity of
Sir Thomas Gage, himself a Roman Catholic. They subsequently returned to
France; but the mortal remains of many of the persecuted Sisters lie in
the Churchyard of Hengrave--among others, those of their Abbess, the
venerable Mary More, one of the heirs-general, and the last lineal
descendant, in the paternal line, of the great Chancellor, Sir Thomas
More.
Hengrave Church is very close to the Hall, and would appear, indeed, to
have been originally attached to it. It has
[Illustration]
Public-domain text, read in full here on John Shaqi.
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