What Emerson stated in pure white light, Whittier made popular through his poems of Slavery and Freedom. By way of preeminence he was the poet of the abolition movement, and the Sir Galahad among our singers. Reared among the Friends, he had the simplicity of the Quaker, but the solidity and massiveness of the fighting Puritan. Strange as it may seem, he was at once the poet of peace, insisting upon the crime of war, and the poet of freedom, insisting upon the destruction of slavery. The fire and glow, the moral earnestness, the spiritual passion of Whittier, are best illustrated in his "Lost Occasion," and "Ichabod." At length the newspapers of the North took up his work. For some years before the war broke out, scarcely a month passed by without a new poem of liberty by Whittier. Soon these poems that were published in the newspapers were recited in the schools by the children, quoted in the pulpits by the preachers, and used by the orators as feathers for their arrows. Once Wendell Phillips concluded an impassioned oration by reciting one of Whittier's stanzas, when a man in the audience shouted, "That arrow went home!" to which Wendell Phillips answered, "Yes, and I have a quiver full of arrows, every one of which was made by a man of peace,--John Greenleaf Whittier." If Emerson's philosophy was like the diffused white daylight that makes clear the landscape for an army, Whittier's occasional poems like "Ichabod" were thunderbolts that blasted forever all compromise and expediency. Sometimes what the essayist fails to achieve ridicule easily accomplishes. James Russell Lowell was the satirist of the abolition movement. With biting scorn and irony he laughed men out of narrowness, ignorance, and selfishness. During the last epoch in his career Lowell achieved world-wide fame as a diplomat, and was universally admired as the all round man of letters. But now that he has gone, in retrospect, the historian perceives that the first era of Lowell's career was the influential era. He was the Milton of the anti-slavery epoch, as Lincoln was its Cromwell. His influence in England, in developing an anti-slavery sentiment there, was, if possible, more influential than in the home country. The great English editor, William Stead, tells us that he owes to Lowell's message the influences that made him an editor and a reformer. In the critical moments of his life he found in Lowell the inspiration and support that he found in no other books, save in Carlyle's "Cromwell" and the Bible. "In Russia, in Ireland, in Rome, and in prison, Lowell's poems have been my constant companions." The poet used the story of Moses emancipating the Hebrew slaves as an illustration of the abolitionist as the unknown leader whom God would raise up to lead the three million black men out of Southern slavery. "What God did for the Egyptian bondsmen, he believed God would do; because what God was, God is. He goes on:--