The Bayeux Tapestry ElucidatedBruce, J. Collingwood (John Collingwood)
History
The Bayeux Tapestry Elucidated
Bruce, J. Collingwood (John Collingwood)
Bayeux tapestry
required at night. On the top of the mast of William’s vessel the
sacred banner given him by the Pope is fixed, surmounted by a cross. The
banner, as it appears here and in other parts of the Tapestry, would be
described by heralds as “_argent_, a cross _or_ in a bordure _azure_.”
The vessels have one mast, which is lowered forward as the land is
approached. To the mast, supported by a few shrouds, or rather stays, a
large square sail is suspended. The modern rudder was not known for some
time after the period of the Conquest;[74] the vessels are steered by a
paddle fixed to the quarter. The steersman, who was also the captain and
pilot, holds the paddle in one hand, and the sheet in the other. This
was exactly the position of Palinurus in the _Æneid_ of Virgil.
“Ipse sedens clavumque regit, velisque ministrat.”
The larger vessels of the ancients were provided with two paddle
rudders, one on each quarter. This arrangement is shown in the
recently-discovered sculptures of Nineveh and in many Roman coins. The
ship in which St. Paul was wrecked on the shore of Malta had two
rudders. The vessels in the Tapestry have only one paddle, probably on
account of their inferior size. It is perhaps worthy of the
consideration of modern navigators, whether, in cases where the hinged
rudder is displaced in a storm, the paddle-rudder might not
advantageously be resorted to as a temporary expedient. The anchors of
the Tapestry resemble those in modern use. The anchor of the ship in
which the spies of William sail to Normandy (_Plate VIII._) has no
stock--but this is probably merely an oversight of the draftsman, for in
an earlier case (_Plate II._) the stock is represented.
The sides of the ships are painted of various colours in longitudinal
stripes, each stripe probably representing a plank. The sails of the
ships are also variously coloured. Roger of Wendover tells us that the
Conqueror’s ship had a crimson sail; probably this is nearly correct,
for in the Tapestry it is painted red, with a yellow stripe in the
middle.
The effect of the whole fleet must have been very striking, and well
calculated to make a powerful impression upon spectators of that or any
age.
Writers differ much as to the number of the vessels in William’s fleet,
as well as of the men they carried. Wace says, “I heard my father say--I
remember it well, though I was but a lad--that there were seven hundred
ships less four, when they sailed from St. Valeri; and that there were,
besides these, ships’ boats and skiffs for the purpose of carrying
harness. I have found it written (but I know not whether it be true)
that there were in all three thousand vessels bearing sails and masts.
Any one will know that there must have been a great many men to have
furnished out so many vessels.”
Public-domain text, read in full here on John Shaqi.
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