The Bayeux Tapestry ElucidatedBruce, J. Collingwood (John Collingwood)
History
The Bayeux Tapestry Elucidated
Bruce, J. Collingwood (John Collingwood)
Bayeux tapestry
The pot may have been a metallic vessel brought over from Normandy with
the stores; its appearance, however, strongly reminds us of a plan which
Froissart tells us the Scotch adopted in one of their incursions into
England. Having seized an ox, they slaughtered it, and boiled its flesh
in its skin, supporting the extemporaneously-made cauldron after the
manner shown in the Tapestry. The rest of the cookery is done upon a
hearth. A spit, on which the wood is placed, is thrust into the ground,
so as to suspend the article to be cooked a short way above the fire. At
the present day much of the cookery of Normandy is done by placing the
food in earthenware vessels, which are brought into contact with the
embers without the intervention of a grate. The food when cooked was
usually, at this period, handed to the guests seated at the table, on
the spits, who took it off with their fingers, assisted with a knife
which they carried with them. Forks were comparatively unknown for some
centuries after the Conquest.
In the Tapestry two tables are spread. The first of them seems to be
formed of shields set upon a frame. The persons seated at it are
probably some of William’s chief officers whose duty it is to arrange
the entertainment, and taste the food and wine previous to its being set
before the Duke. William sits at a table which was no doubt brought from
Normandy. It is of classic form, being like that called by the Romans
Sigma, from its resemblance to the Greek letter of that name, which in
the time of the Roman Emperors was formed like our C. The guests sit at
one side of it only, the inner or concave side being left open, to allow
the servants more readily to approach. All the operations of the table
are presented to us by the artist. Odo, with his thumb and two
forefingers extended, is blessing the food and the drink. William has
planted his hand upon the principal dish, as if to claim the lion’s
share for himself. Another person is tearing a fish to pieces with his
fingers, and conveying the morsels by the same medium to his mouth. An
old man with a beard, probably William’s Nestor, who refused to comply
with the tonsured fashion of the day, is drinking with his neighbour;
both of them have uplifted bowls. A servant upon bended knee is
presenting a covered dish to the party. These compartments are
respectively described, HIC COQUITUR CARO ET HIC MINISTRAVERUNT
MINISTRI--Here the food is being cooked and here the attendants have
served up the viands: HIC FECERUNT PRANDIUM ET HIC EPISCOPUS CIBUM ET
POTUM BENEDICIT--Here they have prepared the feast and here the bishop
is blessing the meat and drink.
[Illustration: PLATE XI.]
The meal must necessarily have been a hasty one. One of the guests has
already risen from his seat, and calls the attention of the Duke to
something that is passing without.
Public-domain text, read in full here on John Shaqi.
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