New York (N.Y.) -- Social life and customs -- 19th century -- Fiction; United States -- History -- War of 1812 -- Fiction
made frantic by their terror, and led by the priests of Obeah, fell upon
the whites indiscriminately. They fled to the ships in the harbour--to
the sea--anywhere, anywhere, from those huge animal natures whose eyes
were flaming with rage, and whose souls were without pity. Nearly one
hundred of these fugitives finally reached Norfolk and Virginia. Some
had been warned either by their own souls, or by friends, and had money
and jewels with them; others were quite destitute; many were sick, and
their condition was pitiable. All desired to reach the French
settlements in Louisiana, but transit by water was most uncertain,
nearly all the usual shipping being employed in the more congenial
business of privateering. Then, in the midst of their distress, comes
into port one day Captain Christopher Bloommaert. He had with him a fine
English frigate, the prize of his skill and valour. And when he
understood the case of these poor souls, he called his men together and
proposed to them the God-like voyage of carrying the miserables to New
Orleans. ‘’Tis but a little way out of our purposed course,’ he said,
‘and who knows on what tack good fortune may meet us?’ And the men
answered with a shout of ready assent, and so they finally reached New
Orleans. I saw them land. Many of them were old friends of my family,
and I heard such stories from their lips as make men mad. One old
planter, who had money with him, bought my estate, and took those with
him to its shelter who had neither money nor friends. Their kindness to
each other was wonderful. As for me, I hastened away from scenes that
had cast a pall over all my life. Yet I forget not; to forget would be
an impossible mercy.”
Then madame talked comfortably to the young man, and after a while tea
was brought in, and Annette, grave and silent for once, made it; and
quietly watched, and listened, and served. St. Ange liked her better in
this mood. The other Annette, with her little coquetries, had not
pleased him half so well. When he left she understood that she had
gained favour in his eyes; he kissed her hand with an enthralling grace
and respect--or, at least, Annette found it so. And that night, though
she felt certain Leonard Murray was singing the new songs with Sappha,
she told herself that she “did not care if he was. Achille was twice as
interesting; he was, indeed, a romantic, a tragic hero--and very nearly
a lover. And he was so captivating, so unusually handsome!” She went
over the rather long list of young men with whom she was friendly, and
positively assured herself that all were commonplace compared with this
wonderful Achille. And, to be sure, his small but elegant figure, his
pale passionate face, set in those straight black locks, his caressing
voice, his subtle smile, his gentle pressure of the hand--all these
charms were not the prominent ones of the practical, business-like young
men with whom she was most familiar.
Public-domain text, read in full here on John Shaqi.
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