The Best of the World's Classics, Restricted to Prose, Vol. IV (of X)—Great Britain and Ireland II
General
The Best of the World's Classics, Restricted to Prose, Vol. IV (of X)—Great Britain and Ireland II
Literature -- Collections
In this work, when it shall be found that much is omitted, let it not
be forgotten that much likewise is performed; and tho no book was ever
spared out of tenderness to the author, and the world is little
solicitous to know whence proceeded the faults of that which it
condemns, yet it may gratify curiosity to inform it, that the English
Dictionary was written with little assistance of the learned, and
without any patronage of the great; not in the soft obscurities of
retirement, or under the shelter of academic bowers, but amid
inconvenience and distraction, in sickness and in sorrow. It may
repress the triumph of malignant criticism to observe, that if our
language is not here fully displayed, I have only failed in an attempt
which no human powers have hitherto completed. If the lexicons of
ancient tongues, now immutably fixt, and comprized in a few volumes,
be yet, after the toil of successive ages, inadequate and delusive; if
the aggregated knowledge and cooperating diligence of the Italian
academicians did not secure them from the censure of Beni;[23] if the
embodied critics of France, when fifty years had been spent upon their
work, were obliged to change its economy, and give their second
edition another form, I may surely be contented without the praise of
perfection, which if I could obtain in this gloom of solitude, what
would it avail me? I have protracted my work till most of those whom I
wished to please have sunk into the grave, and success and miscarriage
are empty sounds. I therefore dismiss it with frigid tranquillity,
having little to fear or hope from censure or from praise.
II
POPE AND DRYDEN COMPARED[24]
Pope profest to have learned his poetry from Dryden, whom, whenever an
opportunity was presented, he praised through his whole life with
unvaried liberality; and perhaps his character may receive some
illustration, if he be compared with his master.
Integrity of understanding and nicety of discernment were not allotted
in a less proportion to Dryden than to Pope. The rectitude of Dryden's
mind was sufficiently shown by the dismission of his poetical
prejudices, and the rejection of unnatural thoughts and rugged
numbers. But Dryden never desired to apply all the judgment that he
had. He wrote, and profest to write, merely for the people; and when
he pleased others he contented himself. He spent no time in struggles
to rouse latent powers; he never attempted to make that better which
was already good, not often to mend what he must have known to be
faulty. He wrote, as he tells us, with very little consideration; when
occasion or necessity called upon him, he poured out what the present
moment happened to supply, and, when once it had passed the press,
ejected it from his mind; for when he had no pecuniary interest, he
had no further solicitude.
Public-domain text, read in full here on John Shaqi.
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