The Best of the World's Classics, Restricted to Prose, Vol. IX (of X) - America - I
General
The Best of the World's Classics, Restricted to Prose, Vol. IX (of X) - America - I
Literature -- Collections
The Indians, with no advantages of their kind, will often carve
figures on their pipes not destitute of design and merit. They will
crayon out an animal, a plant, or a country, so as to prove the
existence of a germ in their minds which only wants cultivation. They
astonish you with strokes of the most sublime oratory; such as prove
their reason and sentiment strong, their imagination glowing and
elevated. But never yet could I find that a black had uttered a
thought above the level of plain narration; never saw even an
elementary trait of painting or sculpture. In music they are more
generally gifted than the whites with accurate ears for tune and time,
and they have been found capable of imagining a small catch. Whether
they will be equal to the composition of a more extensive run of
melody, or of complicated harmony is yet to be proved. Misery is often
the parent of the most affecting touches in poetry. Among the blacks
is misery enough, God knows, but no poetry. Love is the peculiar
oestrum of the poet. Their love is ardent, but it kindles the senses
only, not the imagination.
There must doubtless be an unhappy influence on the manners of our
people produced by the existence of slavery among us. The whole
commerce between master and slave is a perpetual exercise of the most
boisterous passions--the most unremitting despotism on the one part
and degrading submissions on the other. Our children see this, and
learn to imitate it; for man is an imitative animal. This quality is
the germ of all education in him. From his cradle to his grave he is
learning to do what he sees others do. If a parent could find no
motive either in his philanthropy or his self-love for restraining the
intemperance of passion toward his slave, it should always be a
sufficient one that his child is present.
Public-domain text, read in full here on John Shaqi.
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