Oh! the first vague charm, the first sunny illusion of some fair
city, when vistas of unknown streets all seem leading to the
realization of a hope you dare not even whisper; when even the shadows
look beautiful, and strange facades appear to smile good omen through
light of gold! And those first winning relations with men, while you are
still a stranger, and only the better and the brighter side of their
nature is turned to you! All is yet a delightful, luminous
indefiniteness--sensation of streets and of men--like some beautifully
tinted photograph slightly out of focus.
Then the slow solid sharpening of details all about you, thrusting
through illusion and dispelling it, growing keener and harder day by day
through long dull seasons; while your feet learn to remember all
asperities of pavements, and your eyes all physiognomy of buildings and
of persons--failures of masonry, furrowed lines of pain. Thereafter only
the aching of monotony intolerable, and the hatred of sameness grown
dismal, and dread of the merciless, inevitable, daily and hourly
repetition of things; while those impulses of unrest, which are Nature's
urgings through that ancestral experience which lives in each one of
us--outcries of sea and peak and sky to man--ever make wilder appeal.
Strong friendships may have been formed; but there finally comes a day
when even these can give no consolation for the pain of monotony, and
you feel that in order to live you must decide, regardless of result, to
shake forever from your feet the familiar dust of that place.
And, nevertheless, in the hour of departure you feel a pang. As train or
steamer bears you away from the city and its myriad associations, the
old illusive impression will quiver back about you for a moment--not as
if to mock the expectation of the past, but softly, touchingly, as if
pleading to you to stay; and such a sadness, such a tenderness may come
to you, as one knows after reconciliation with a friend misapprehended
and unjustly judged. But you will never more see those streets--except
in dreams.
Through sleep only they will open again before you, steeped in the
illusive vagueness of the first long-past day, peopled only by friends
outstretching to you. Soundlessly you will tread those shadowy pavements
many times, to knock in thought, perhaps, at doors which the dead will
open to you. But with the passing of years all becomes dim--so dim that
even asleep you know 'tis only a ghost-city, with streets going to
nowhere. And finally whatever is left of it becomes confused and blended
with cloudy memories of other cities--one endless bewilderment of filmy
architecture in which nothing is distinctly recognizable, though the
whole gives the sensation of having been seen before, ever so long ago.
* * * * *
Public-domain text, read in full here on John Shaqi.
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