The best short stories of 1915, and the yearbook of the American short story
General
The best short stories of 1915, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
"My--my gloves--I--I forgot 'em. You--you can go on, Hat." And she must
burrow back beneath the counter.
Miss Krakow let out a snort, as fiery with scorn as though flames were
curling on her lips.
"Hanging round to see whether he's coming, ain't you? To think they shot
Lincoln and let him live! Before I'd run after any man living, much less
the excuse of a man like him! A shiny-haired, square-faced little rat
like him!"
"I ain't neither, waiting. I guess I got a right to find my gloves.
I--I guess I gotta right. He's as good as you are, and better. I--I
guess I gotta right." But the raspberry red of confusion dyed her face.
"No, you ain't waiting! No, no; you ain't waiting," mimicked Miss
Krakow, and her voice was like autumn leaves that crackle underfoot.
"Well, then, if you ain't waiting here he comes now. I dare you to come
on home with me now, like you ought to."
"I--you go on! I gotta tell him something. I guess I'm my own boss. I
got to tell him something."
Miss Krakow folded her well-worn hand bag under one arm and fastened her
black cotton gloves.
"Pf-f-f! What's the use of wasting breath!"
She slipped into the flux of the aisle, and the tide swallowed her and
carried her out into the bigger tide of the street and the swifter tide
of the city--a flower on the current, her blush withered under the
arc-light substitution for sunlight, the petals of her youth thrown to
the muddy corners of the city streets.
Sara Juke breathed inward, and under her cheaply pretentious lace blouse
a heart, as rebellious as the pink in her cheeks and the stars in her
eyes, beat a rapid fantasia; and, try as she would, her lips would
quiver into a smile.
"Hello, Charley!"
"Hello yourself, Sweetness!" And, draping himself across the white-goods
counter in an attitude as intricate as the letter S, behold Mr. Charley
Chubb! Sleek, soap-scented, slim--a satire on the satyr and the
haberdasher's latest dash. "Hello, Sweetness!"
"How are you, Charley?"
"Here, gimme your little hand. Shake."
She placed her palm in his, quivering.
You of the classes, peering through lorgnettes into the strange world
of the masses, spare that shrug. True, when Charley Chubb's hand closed
over Sara Juke's she experienced a flash of goose flesh; but, you of
the classes, what of the Van Ness ball last night? Your gown was low,
so that your neck rose out from it like white ivory. The conservatory,
where trained clematis vines met over your heads, was like a bower of
stars; music; his hand, the white glove off, over yours; the suffocating
sweetness of clematis blossoms; a fountain throwing fine spray; your
neck white as ivory, and--what of the Van Ness ball last night?
Only Sara Juke played her poor little game frankly and the cards of her
heart lay on the counter.
"Charley!" Her voice lay in a veil.
"Was you getting sore, Sweetness?"
"All day you didn't come over."
"Couldn't, Sweetness. Did you hear me let up on the new hit for a
minute?"
Public-domain text, read in full here on John Shaqi.
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