The best short stories of 1918, and the yearbook of the American short story
General
The best short stories of 1918, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
“Oh, nothing much, in one way. I’ve been talking with a young chap who
has sent us a manuscript lately. The book’s no good, commercially—a
pretty crude performance—but it has some striking descriptive passages
about the effects of hunger on the human body and the human mind. They
interested me because I thought they showed some traces of imagination.
There isn’t much real imagination lying round loose, you know: nothing
but the derived and Burbankized variety. So I sent for the fellow. He
came running, of course. Hope in his eye, and all that sort of thing. I
felt like a brute beast to have to tell him we couldn’t take his book,
though I coated the pill as sweetly as I could.
“He took it like a Trojan, though I could see that he was holding
himself in to keep from crying. He was a mere boy, mind you, and a very
shabby and lean one. I noticed that while I talked encouragingly to him,
and I finally asked what set him going at such a rate about starvation.
I might have known, of course! The kid has been up against it and has
been living on quarter rations for I don’t know how many months. There
wasn’t an ounce of imagination in his tale, after all: he had been
describing his own sensations with decent accuracy—nothing more than
that.”
“Poor fellow!” I interrupted. “We ought to find him some sort of job. Do
you think he’d make good if he had a chance?”
Orrington shrugged his heavy shoulders. “I don’t know, I’m sure. I
talked to him like a father and uncle and all his elderly relations, and
I asked more questions than was polite. He’s in earnest at the moment,
anyhow.”
“But if he’s actually starving—” I began.
Orrington looked at me in his sleepy way. “Oh, he’s had a good feed by
this time. You must take me for a cross between a devil-fish and a
blood-sucking bat. I could at least afford the luxury of seeing that he
shouldn’t try to do the Chatterton act.”
Reynolds took a sip of whiskey, then held up his glass to command
attention. “Dear, dear!” he said slowly, with the air of settling the
case. “It’s a very great pity that young men without resources and
settled employment try to make their way by writing. They ought not to
be encouraged to do so. Most of them would be better off in business or
on their fathers’ farms, no doubt; and the sooner they find their place,
the better.”
“Still, if nobody made the venture,” I objected, “the craft wouldn’t
flourish, would it? I think the question is whether something can’t be
done to give this particular young man a show.”
“I’ve sent him to Dawbarn,” said Orrington almost sullenly. “He wants a
space-filler and general utility man, he happened to tell me yesterday.
It’s a rotten job, but it will seem princely to my young acquaintance. I
shall watch him. He might make good and pay back my loan, you know.”
Public-domain text, read in full here on John Shaqi.
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