The best short stories of 1918, and the yearbook of the American short story
General
The best short stories of 1918, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
“No, no. I wasn’t so poor as that, even though I gave up the rich job
I’m telling you about. The point is that I was chronically hard up and
needed the money. I couldn’t afford to do without it, but I had to. It
was like this, you see. On the very day the plum dropped into my mouth,
a story came into the office that bowled me over completely. I hadn’t
much experience then; but I felt somehow sure that this thing wasn’t
fiction at all, though it had a thin cloak of unreality flung about it.
It was a cheerful little tale, the whole point of which was that the
impossible hero killed himself rather than starve to death. It was very
badly done in every respect, as far as I remember, but it gave me the
unpleasant impression that the man who wrote it knew more about going
without his dinner than about writing short stories. Of course I
couldn’t accept the thing for my magazine, though I could take most
kinds of drivel. Our readers didn’t exist, to be sure, but we thought
they demanded bright, sunshiny rubbish. I used to fill up our numbers
with saccharine mush, and I shouldn’t have dared print a gloomy story
even if it had been good.
“This wasn’t good. It was punk. But it bothered me—just as the
youngster’s book has been bothering me lately. I suppose I’m too
undiscriminating and sentimental for the jobs I’ve had in life.”
“You!” Reynolds objected. “Every one’s afraid of you. Haven’t I said
that I tremble, even now, when I send copy to you? It makes no
difference that I have the contract signed and every business
arrangement concluded.”
Orrington’s mouth twisted into a little grimace. “That’s merely my pose,
Reynolds, as you know perfectly well. I’m the terror of the press
because I have to be to hold my job. Inside I’m a welter of adipose
sentiment. My physical exterior doesn’t belie me. While dining, I quite
prefer to think of all the world as well fed; and, in spite of many
years’ training, I can’t see anything delightful in the spectacle of a
fellow going without his dinner because he’s ambitious. As a rule, I
prefer to discourage authors who are millionaires. That’s a pleasant
game in itself, but not very good hunting. All of which is beside the
point.
“I did hate, as a matter of fact, to turn down the little story I speak
of; and while I was writing a gentle note that tried to explain, but
didn’t, I had a brilliant idea. I suppose I was the victim of what is
known as a generous impulse. I’ve had so little to do with that sort of
thing that I can’t be sure of naming it correctly, but I dare say it
could be described in that way. I said to myself: ‘That son of a gun
could do those special articles just as well as I can, and it’s dollars
to doughnuts he’ll go under if he doesn’t get something to do before
long.’
Public-domain text, read in full here on John Shaqi.
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